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Dr. Bickmore's YA Wednesday's 
Monday Motivators

This blog page hosts posts some Mondays. The intent and purpose of a Monday Motivator is to provide teachers or readers with an idea they can share or an activity they can conduct right away.

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Appreciating the Outdoors: The Hunger Games and Nature Imagery by Margaret A. Robbins, PhD

6/17/2024

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I’ve had two recent sources of inspiration for my blog. One is Ebony Elizabeth Thomas’s Francelia Butler Lecture at ChLA 2024, during which she referenced “Rue’s Lullaby” in The Hunger Games by Suzanne Collins as she discussed speculative grief. Another is a three and a half day workshop with the Kennesaw Mountain Writing Project that I just finished called “Teaching in the Wild,” during which we spent a lot of time writing about the outdoors.  

Usually, when studying The Hunger Games, my students and I read the novel together while listening to the audible recording. The part of the book where Katniss sings the farewell song to Rue when she passes away makes some students sad and even uncomfortable. However, upon closer glance, the lullaby offers a chance to study nature imagery in connection to extended metaphors throughout the book and also, as Dr. Thomas reminded us in her ChLA keynote talk, a way to understand hope amid grief. The poem also reminds us of how nature cares for us. For instance, in line 6, the song notes “here the daisies guard you for every harm.” I believe that flowers operate as an extended metaphor throughout the novel, showing that despite the cruelty and ruthlessness of the Panem government, nature can be a source of comfort for children who have to endure great harm and experience situations far too emotionally complex for their years. 

Early in the book, Katniss references her and her family coming close to starvation after her father passed away in a mining accident. They are able to stay afloat in part because of the burned bread that Peeta Mellark threw her on a rainy day, despite his mother’s wishes, and in part because of Katniss’s hunter and gatherer talents, as developed by her father while he was alive. During this challenging time, when Katniss sees the dandelions growing in the spring, she realizes that she and her family would turn out okay because spring was emerging. The new season would allow for more opportunities to hunt and gather, and the dandelion “reminded me that I was not doomed” (p. 32). Throughout the book and the series, the yellow dandelion becomes a symbol of hope for Katniss, as it reminds her of spring and the promise of new beginnings that the season brings. 

In both the movie and the book The Hunger Games (1), Katniss covers Rue with purple, yellow, and white wildflowers when she passes away, even though she knows that the hovercraft from the capital will soon take Rue away: “Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors (p. 38-39). The wildflowers honor Rue’s passion for the natural world as well as her knowledge of plants, and they also bring beauty into the very dark and sad incident of a young child being mercilessly. Additionally, Katniss is likely doing this gesture as a way of defying the Capitol. In the movie, we see an image of her giving the signal of appreciation to the camera and citizens of District 11 responding with the same gesture, followed by some of them beginning to push over bins and destroy property as additional defiance of the Capitol. The flowers in The Hunger Games, overall, symbolize hope within terrible situations and also the children trying to hold onto their innocence amid the Capitol’s brutal decisions.  

As a follow up to studying these parts of The Hunger Games, as well as other nature intensive literature and writing, I like to take my students outside to do some sensory detail writing. In particular, if there is a part of your school campus that has flowers, this can be an effective place for sparking ideas. I typically have my students fill out this sensory detail chart, with the addition of the “remember” section in case the scene sparks memories. I know many teachers use similar charts with their students; this is one that I have found to be user friendly for middle school students.
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I encourage students to write at least two-three bullet points per section and to use their imagination if they do not notice immediate inspiration. 

As follow up writing, there are a number of options to have students do: 
  1. A nature poem or sonnet 
  2. A descriptive writing piece of the nonfiction genre 
  3. A narrative writing piece or short story incorporating sensory details to help establish setting 
  4. Incorporating this piece into a larger nature journal that the students add on to throughout the semester or year. 

Regardless of avenue, sensory details can help students to show their surroundings rather than simply telling the reader about them. I usually encourage students to utilize at least one example of figurative language in their writing to tie the conversation back to the nature symbolism we have learned about in literature. This writing encourages student appreciation for nature, showing rather than telling, sensory details, and building settings.  

Poetry and vignettes can make for excellent additional connections for students. Poems I have used to encourage the use of sensory details and imagery include “Tree at my Window” by Robert Frost, "Four Skinny Trees" from Sandra Cisneros’s The House on Mango Street, “An American Sunrise” by Joy Harjo, and “Nothing Gold Can Stay” by Robert Frost, which I have connected to its use in The Outsiders by S.E. Hinton when I have taught that novel. When I have taught comics writing as a course and/or unit, I have had students represent “Nothing Gold Can Stay” as an image and/or comic, since that is a poem that is easily brought to life in this forum. Drawing activities, in addition to writing, can help students build appreciation for setting, figurative language, and sensory details. While these are some of my favorite texts to use, many others would encourage students to better understand nature as symbolism as well as a writing tool.  

​Reference: 
Collins, S. (2008). The Hunger Games. First edition. New York, Scholastic Press.
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Graphic Organizers with Class Novels by Maria Copp

6/3/2024

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Part of what I love about teaching the same novel a few years in a row is the chance to gradually tweak and refine the lessons and tools I use during the unit. In the 2024-25 school year I taught three class novels, and for each unit students used a specific graphic organizer I had designed to guide them throughout the story. Though all three were novels I had taught before, two of the graphic organizers were brand new. 

A few reasons graphic organizers work great with class novel units:
  • Assist students who have missed chunks of the story due to absences
  • Refresh memories of students who struggle to recall what happened in the previous section of the story
  • Help me as the teacher stay focused on main takeaways
  • Reveal patterns across the story
  • Hold students accountable for their comprehension when reading aloud with a partner

First quarter I hook my reluctant readers in with Long Way Down (Jason Reynolds). In this fast paced novel written in verse, the main character (Will) is trying to decide whether to get revenge on his brother’s killer. The majority of the story takes place in a single elevator ride, where the protagonist is visited by a new ghost on each floor as he descends, armed, towards the lobby. Each ghost is a loved one from his past who was killed. The segmentation of the book by floor offers students a natural opportunity to track progress in the story. In fact, completing the graphic organizer with students is what helped me notice an important pattern across the book–the ghosts never offer the protagonist advice, but instead ask Will probing questions designed to make him think about his upcoming choice to seek revenge. Thanks to this revelation, I started making this theme of questioning a key part of my discussion of the book and incorporated a column in our graphic organizer specifically for the ghosts’ questions.

Students kept their paper copy in their binder, and at the end of each lesson, we worked as a class to complete a section of the following graphic organizer:
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Second quarter I read Sold (Patricia McCormick) with my classes. This story–also written in verse–introduces my students to a teen girl from Nepal and the horrors of human trafficking. I added a graphic organizer to this unit with two goals in mind 1) for my students to keep track of the minor characters in the story–especially since my students are unfamiliar with Nepali names and 2) for my students to better recognize the author’s characterization of the protagonist (Lakshmi). As we learned new information about Lakshmi–her situation, her goals, her personality, etc–we would add those facts to the center of the diagram pictured below. As we encountered new characters, we added something to remember them by. For example, next to Ama, we wrote “mom” and next to Bajai Sita, we filled in “store owner.”  Students will often (even unprompted!) refer back to this character list when they come across a name in the story that they cannot remember.
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Finally, during fourth quarter we enjoyed the autobiographical graphic novel March (John Lewis).  For this book I created a very simple organizer–really just a spot to jot down two things I wanted students to focus on 1) who was John Lewis and 2) our essential question for the unit. In this book (the first in a trilogy), John Lewis focuses on his childhood and how it led to his involvement in the civil rights movement. I wanted my students to practice reading his anecdotes with an eye towards his purpose. For example, he spends page after page talking about the chickens on his farm. Why? We discuss that the point isn’t that he liked chickens, but the truths he reveals about himself through these shared memories. And so when we read that he baptized his baby chicks and preached to them too, we added “religious and wanted to be a preacher” to the “John Lewis” column in the graphic organizer below.  
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We also used this same worksheet to track answers to our essential question, “What drives change?”  I framed the book around this question not only because John Lewis’s goal in the story is to bring about change, but also because the question helps students connect this piece of history to their current lived realities. For example, when we read about the Montgomery bus boycott, we added “boycotts” to our list, but we also reflected on some of the things required for a successful boycott–teamwork, sacrifice, and patience.  Perhaps this will inspire my students to participate in a boycott as a form of civic engagement or maybe instead it will help them recognize that that they can leverage their personal strengths, such as patience, to help fight for a change they see their community needs.

If you’re looking ahead to an upcoming class novel, consider creating a custom graphic organizer for the unit! There are endless options, and whatever you design is bound to help you and your students stay focused on your primary goals for the text over the course of weeks or months of reading the story.
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    Curators

    Melanie Hundley
    ​Melanie is a voracious reader and loves working with students, teachers, and authors.  As a former middle and high school teacher, she knows the value of getting good young adult books in kids' hands. She teaches young adult literature and writing methods classes.  She hopes that the Monday Motivator page will introduce teachers to great books and to possible ways to use those books in classrooms.
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    Emily Pendergrass
    Emily loves reading, students, and teachers! And her favorite thing is connecting texts with students and teachers. She hopes that this Monday Motivation page is helpful to teachers interested in building lifelong readers and writers! 
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    Jason DeHart
    In all of his work, Jason hopes to point teachers to quality resources and books that they can use. He strives to empower others and not make his work only about him or his interests. He is a also an advocate of using comics/graphic novels and media in classrooms, as well as curating a wide range of authors.
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