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Revisiting ALAN 2018. It was so Fantastic!

11/26/2018

 
This week I revisit ALAN 2018. It was a great experience! I made new friends! I heard great keynotes, panels, and conversations. Now, I have to try to do what Mark and host of others before me have done as President. Wish me luck and more importantly, send me ideas and offer to help. One moment in the event that I will remember is the opportunity to introduce Ellen Hopkins and Kody Keplinger. I allude to this conversation a couple of weeks ago when I was still planning for it. Their discuss of guns and gun violence was excellent.  

Before we look to far into the future, let's look at what happened. Quite a few people have sent me a paragraph and a photo that highlights their experience. I also have to give a shout out to Noah Shaffer, several of these photographers were taken by him, but some where true selfies or shots taken on phones by friends.
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photo credit Noah Shaffer
 One more note. There isn't time to mention every great talk, every conversation, and every panel. As I have prepared this post and glanced over at my pile of books, I realize that so many more people need to be thanked. First Mark Letcher. Thanks for a wonderful program. Next, Every publisher, every author, every attendee, and all of the ALAN Volunteers.  Thank You.

Voices from the Sea of People behind the Books.

From Steffany Maher

From Steffany Maher
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There were many powerful moments at the ALAN Workshop this year. For me, though, the most poignant was Bill Konigsberg’s vulnerable speech, in which he shared his triggered moment at NCTE (see “Proud Fierce Papa Bear” at billkonigsberg.com). Not only was Bill brave in standing up for LGBTQ+ young people and confronting the panelist who was harassing marginalized people, but he also demonstrated how to stand against hate speech, thus empowering others to do the same. Bill writes books that save lives—already a super power!—but this weekend he was a hero in person as well. Thank you, Bill!
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From Gretchen Rumohr-Voskuil

As with past ALAN experiences, it's been difficult for me to narrow down to one favorite moment.  Of course there is the not-so-different-from-Christmas-morning anticipation of opening those book boxes and the joy of seeing a long-awaited book such as Shout.  Or there is the not-so-different-from-family-reunion joy of connecting with beloved colleagues who love young adult literature as much as I do.  And I will never downplay the not-so-different-from-being-completely-starstruck feeling of shaking a respected author's hand and telling them just how much their writing has impacted my--and my students'--life.    This year was a bit different because I had the privilege of introducing a conversation between Sandhya Menon and Kayla Cagan.  Both writers recognize the transforming power of art, especially among young women.  Not only did their discussion inspire me to encourage my own students toward books that nurture an artist identity, but it also made me think about how I've never tried painting.  Sandhya and Kayla will be happy to know that I'll be borrowing my daughter's watercolor brushes, paints, and paper this week--that is, after I finish Art Boss and From Twinkle, With Love.​
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photo credit Noah Shaffer

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From Jayna Zimmerman

Going to ALAN for the first time was extremely exciting. No matter how much I was prepared for book box…the generosity of the publishers blew me away. Perhaps the best part of the workshop was listening to Ellen Hopkins discuss gun violence with Kody Keplinger. Both women bring a unique perspective to the trauma of gun violence our nation is experiencing. Through People Kill People (Hopkins) and That’s Not What Happened (Keplinger) center on opening conversations about violence and the accessibility of firearms. I deeply appreciated being in a conversation and having resources I can use in the classroom to navigate a challenging topic with students. I can’t wait to set up another trip to ALAN!--

From Stefani Boutelier

ALAN18 was my first workshop and it was quite the (overwhelming) experience. Aside from the books, trading, and signings, the experience of hearing authors talk about their books intrigued and excited me. I found Bill Konigsberg's speech the most compelling as it left me in tears and reminded me how powerful words can be in conversation and in text. Adolescent literature can be the catalyst to connect with students, allowing us to open minds and open hearts along the way. I look forward to reading the texts and sharing the ideas from ALAN with my students.
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From Joe Godina

I have been attending the ALAN Workshop since 2013 and it is always the highlight of my school year.  I will be forever grateful to all the people who work so hard to put on this incredible event.  Thanks to the publishers I am able to bring back so many books to my classroom to share with my students.  Each year I come back to school refreshed and ready to conquer the world again.  For me, the highlight of ALAN18 was getting to meet Gae Polisner.  I have been teaching her novel The Memory of Things for the last two school years and her and I have become friends over this time.  ALAN18 provided me with the opportunity to meet Gae face to face for the first time.  This is the magic of ALAN, connecting teachers to the authors they share with their students.  

From Sarah Chan

Five hundred book walls
Each magical brick creates
Mirrors and windows

The ALAN Workshop is something special. This was my third year attending, and I can honestly say that a buzzing room full of educators and authors is some of the best company—I always leave feeling inspired (and a little sad that all good things must come to an end). There are too many highlights from ALAN ’18, so I just picked one from each day. Closing out Monday’s session, Tomi Adeyemi spoke about the power that teachers have to unlock, or lock, students’ potential and change how our students see themselves. She later signed Children of Blood and Bone for my former student who recommended the book to me last school year. Above her signature, Tomi wrote a note that read: “For Queen [name of my student], I wrote this for warriors like you.” On Tuesday, Elizabeth Acevedo talked about how she doesn’t write books that give answers because it’s important for readers to wonder and ask questions. As I stood in her signing line, it felt a bit surreal and so very cool because The Poet X is easily one of my top five favorite reads of this year (as well as a must-listen audiobook) and she’s a National Book Award winner! When I first read the book, the dedication warmed my heart because my grad school teaching internship back in 2013-2014 was at Buck Lodge Middle School, and I remember being blown away by the performance she gave during an assembly in the school’s cafeteria. I love that her students inspired her to write The Poet X and now her words pay tribute to them and inspire countless others.

At ALAN, I’m always reminded that representation matters. Our students deserve to be seen, and they deserve to be heard. They also need to be exposed to stories that celebrate diversity and make marginalized identities and perspectives visible. I’m grateful for all the authors and the 500+ educators who keep these values at the heart of what they do. ALAN ’18 was a much-needed time to reflect and refuel, and I hope to continue to attend the workshop in the future.
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From Katie Sluiter

I look forward to the ALAN conference all year. It is my Christmas morning because it feels like coming home. Seeing fellow educators who are all so passionate about reading, connecting with friends I only see once a year, and of course experiencing all the authors and books! This year was one of the best. Cynthia Leitich Smith did a fantastic keynote and set the tone for the inclusivity that YA lit can sow in the classroom. Bill Koningsberg’s speech made me weep for the work we have yet to do, and reminded me of how important it is to create a safe space out of my classroom. Ellen Hopkins and Kody Keplinger grabbed the issue of gun violence, and Laurie Halse Anderson and Gayle Forman talked about using their own experiences in their writing. I left the day fired up and ready to hug all my students. Thank you, ALAN for another great conference!
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From Mary Warner

One of the best parts of NCTE 2018 and ALAN was actually seeing and being able to hear Kylene Beers  and Teri Lesesne.  Both women are such major contributors to ELA and ALAN and have struggled with serious health issues.  What a gift that they could be there!

Second I loved the session "Crossing Selma's Bridge..." featuring you, Gretchen, Laurie Halse Anderson, Luke Rumohr, Rich Wallace, Sandra Neil Wallace,  Brendan Kiely, and Shentia Clark.   It simply was so relevant and poignant, and scholarly and worthwhile!

I could only stay for Monday for ALAN -- I liked Cynthia Leitich Smith's keynote; Laurie Halse Anderson and Gayle Forman were great too -- especially because Laurie is so supportive of newer authors.
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From Rich Wallace

NCTE 2018 was a whirlwind, but it couldn't have been more rewarding. It's always great to touch base with friends in education and publishing, and to meet new ones. I'm still reliving the thrill of having Sandra's name called as the Orbis Pictus winner -- a career highlight for sure.
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From Georgia Parker

During this year’s ALAN workshop, diverse voices in YA literature were lifted up and applauded. The love and acceptance among the ALAN members was, and usually is, my biggest takeaway. Long time member Rick Williams told me and my daughter that ALAN is a family, and it’s true. ALAN is a family that savors stories and cherishes the written word, and in this family all are welcome. One of the things I enjoy most about attending this annual event, in addition to the talented and amazing authors and the box of books, are connecting with teachers and librarians from all over the country. Although I may only see some of them once a year, sharing with and learning from these colleagues is an invaluable part of the ALAN experience. Knowing we all left Houston armed with new books to share with our students, gives me hope that we can enrich the lives of the young people we teach and change the world one story at a time.

From Hannah Parker

This was my second year attending ALAN and I can honestly say that this will be a conference that I will attend every year, if possible. ALAN gives me hope for the future of education and for my students. My favorite part is listening to the authors discuss important topics and their novels. In listening to the authors I always think of a student that would love this book, or might connect to the character. This is the most valuable to me as it is truly giving me the ability to connect my students to a book. I was told that ALAN is a family, I saw this over and over again as members reconnected, strangers became friends in signing lines, and a senior member accepted the friendship of an eager second year teacher. There is something special about a good book, that any book lover knows, but there is something truly magical about a group of teachers who give two days of their Thanksgiving break to sit, listen, learn, and enjoy a box of books.
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From Celeste Trimble

One of the highlights of my experience at NCTE/ALAN 2019 was listening to Cynthia Leitich Smith's ALAN keynote and sitting down with her over coffee afterwards to talk. Although there was a dearth of Indigenous voices during NCTE, Cyn brought many Indigenous authors and illustrators into her slides, lifting them up while discussing her own journey as a writer. Additionally, it was important to see her model how she is learning from her own mistake of not supporting Indigenous narrative conventions in a writing workshop, because we all have mistakes we need to admit and grow from. Thank you, ALAN, for inviting her and giving her the space to discuss the incredibly vital and often neglected work of Indigenous authors and illustrators of literature for youth. 
From Anita Dubroc

ALAN 2018 marked my first ALAN conference and I didn’t know quite what to expect. Being greeted with a huge box packed with (very heavy) young adult titles was quite a shock. My new friend, Book Box, and I were fortunate enough to get first-row seats for two days filled with author readings, conversations, and panels on YAL’s many forms, some genres were like familiar friends and others new acquaintances. I think my TBR exploded a little, which is never a problem. (Many thanks to FedEx for delivering them safely home). I liked how each author focused on his or her writing as a form of writing resistance and each panel, though composed of two to three people, was like peeking in on a conversation. The writers and their works took on hard to discuss subjects, which many adults shy away from, yet are important in young people and teens’ lives. I was also happily surprised at my fellow attendees’ passionate responses to the panelists works and words. Though many of us endured a busy four day NCTE, I was thrilled to see so many faces at 8am on Tuesday! Bringing in the many books recommended and spoken of during ALAN 2018 makes me think of the many ways in which we can encourage young people to activists in the classroom, at school, and in their communities. ALAN 2018 showed me that young adult literature extends much further than the books we read and enjoy and into acting upon the issues that the books present. I was thoroughly inspired by my first ALAN experience and I truly hope to continue attending. 
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photo credit Noah Schaffer
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photo Credit Noah Schaffer
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From Josh LaRoche

As a first time ALAN attendee, I am amazed and lost with the event and people. I was invited to a meet and greet reception with the authors. For me this was more of an experience in being a wallflower. I am not what one would call a “mingler.” There were two authors that I easily struck up conversation with, David Bowles and Destiny Soria, but that was mainly out of me standing in the right place and asking who they were and what they wrote – yea I never heard of them or their work, which will hopefully change when I can afford their works or visit a library.
When the conference started Saturday morning, I laid out the contents of my mystery box-o-books and stared at titles and authors as some of the authors in my box appeared on stage. I only have one of those books that I decided to wait in line to have signed, People Kill People by Ellen Hopkins, since I read a little of the author note and the first few pages. This book is slated as number two on my reading list of this box.  For number one, I found the book Nyxia by Scott Reintgen, which fits into my sci-fi preference for personal relaxation reading. This book intrigues me especially since, in the realm of my reading, not many books seem to have a main character that happens to be black. ​

From Ann David

As a first-timer at ALAN, I was there for the books.  I knew there was more to it, of course, because my friends would rave about how wonderful it is.  But who can turn down a big box of YA books?  Not me!  But having attended, I was surprised and moved by the bravery.  Bill Konigsberg and Jarrett J. Krosoczka both shared their personal, often painful, journeys that influenced their writing and their desire to write for young people living rich, and sometimes very difficult lives.  Authors in conversations with each other revealed the ways that schools silenced them, and how they want to write books so kids know they don’t have to be silenced.  Teachers I spoke with talked about defending the inclusion of YA books in their classrooms despite challenges from parents or administrators because they knew the kid who needed to read that book.  So, yes, I came away from ALAN with a great box of books that I’ll share with my preservice teachers.  And I also came away understanding just how many people are out in the world, doing the work to make that work a better place, one book, one classroom, and one kid at a time.
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From Arianna Drossopoulos

I attended ALAN five years ago in Boston and I had forgotten what a heartwarming and magical place ALAN is until I arrived in Houston. Attending the author reception on the first night was one of the best ways to kick off the conference. Being able to speak with authors like Bill Konisberg, Gayle Foreman, Laurie Halse Anderson, Chris Crutcher, Mindy McGinnis, and many more helped set the tone for the weekend. Everyone in the room that night expressed a love for writing and reading YAL and most importantly, a love for what YAL offers adolescents. There’s an overwhelming amount of comfort that comes from being surrounded by people who hold similar values about literature and believe so deeply that giving adolescents access to high-quality, diverse, and engaging literature is not only important but imperative to the lives of teens. As a doctoral student, it was also exciting to meet scholars in the field of YAL whose work I’ve read and even cited. In addition to the scholars in the field of YAL, it was inspiring to talk to with the many teachers and library media specialists at the conference who also believe that putting the right book into the hands of students can be life-changing. Hearing Tomi Adeyemi speak was one of my favorite moments of the conference as I believe she sent such a powerful message to everyone in the room when she said, “teachers have the power to lock or unlock a person’s potential” and “reading is currency.” Of course, the top highlight of the weekend was being named one of the new editors of The ALAN Review alongside Dr. Susan Groenke, Caitlin Metheny, Suzanne Sherman, and Mary Cate LeBoeuf from the University of Tennessee. I still can’t stop smiling!

From Reluctant Reader to Engaged Reader: Top 5 YA Novels (From a Teenager’s Perspective) by Erinn Bentley and Noah Bentley

11/15/2018

 
I made it back from NCTE and ALAN 2108. I marched through with about 5 to 6 hours of sleep. (I know some of you got even less.) If you promised me a paragraph about your experience about the ALAN breakfast, Y2A reception, or the ALAN Workshop, please send it along. You can find what you need in the contact section. This post has a strong family component. That feels right. I feel like my family grew over the last week. Erinn Bentley (She has a previous post of the blog here.) and her son talk about finding books that you not only want to read, but maybe can't wait to read. 

I will turn it over  to Erinn and Noah. I hope all have a great holiday weekend.

From Reluctant Reader to Engaged Reader: Top 5 YA Novels (From a Teenager’s Perspective)
​by
​Erinn Bentley and Noah Bentley

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​For today’s blog, I would like to focus on an issue most of us have probably experienced as educators and/or parents: How do we inspire a child who is a reluctant reader? What books might appeal to such readers? This issue hit home for me when my older son, Noah, transitioned from 5th to 6th grade. At that time, he absolutely hated to read. He had a fantastic English teacher, excellent grades, and no literacy-associated learning disabilities. His Lexile scores and other reading assessments revealed he was on the lower end of his grade level, but he was not considered a “struggling” reader. Still, he hated reading.
 
As I combed through our bookshelves, I noticed that he had outgrown the Diary of a Wimpy Kid and I Survived series. He had no interest in the young adult literature I adored, such as the Harry Potter saga and The Chronicles of Narnia. I then realized the heart of our issue: I had no idea what his adolescent reading tastes or interests were. He lived in a home stocked with tons of books; yet, these texts were either too juvenile, too difficult, or (according to him) too boring. We needed to find authors, genres, and topics that resonated with him.
 
Noah and I then set out on a quest to develop a personalized reading list. In this blog, we will describe the top 5 books that transformed him from a reluctant to an engaged reader. For each book, I will first provide a brief summary of the novel’s content as well as why we selected it. Then, Noah will share his perspectives and recommendations as an adolescent reader.

Prisoner B-3087 by Ruth Gruener, Jack Gruener, and Alan Gratz

​The first book we chose was Prisoner B-3087, primarily because Noah is a history buff. Based on the true story of Jack Gruener’s experiences in 10 concentration camps during WWII, this novel appealed to Noah’s interest in history and seemed similar to his favorite childhood series, I Survived. Another consideration was the novel’s Lexile level, which was lower than Noah’s own score. Since this novel was geared toward 5-8th grade students, I knew it would not be too demanding for my son, who was just beginning the 6th grade. I hoped choosing a less difficult text might “hook” him into the plot without him stumbling over unfamiliar vocabulary or complicated syntax.
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​Noah’s Perspective:
This book was really interesting because the story was spread out across different settings making the theme more dramatic. The main character went to so many concentration camps that it makes readers see how much the Holocaust impacted a whole race of people. I would recommend this novel to people who would like to understand what life was really like in WWII. Because this was a true story, I feel like it gives a better picture of the Holocaust than some fictional stories I have read. Because it is dramatic, this novel is more interesting that reading about war in a textbook. Until I read this book, I don’t think I really understood how terrible the Holocaust was. This book made it real for me.

Projekt 1065 by Alan Gratz

As fate would have it, Noah’s school sponsored a book fair shortly after he had finished reading Prisoner B-3087. At the fair, Noah recognized Gratz’s name on the cover of Project 1065 and wanted to read his new book. I was thrilled that he had found an author he liked, so we made Project 1065 our second novel on his reading list. Set in World War II, this story is not based on a real-life event. Rather, it is a fictionalized account of one boy’s infiltration of the Hitler Youth in Germany. Part spy-thriller, part action-adventure, the plot is fast-paced, which I hoped would allow him to get swept up in the excitement of the story and have fun reading.
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​Noah’s Perspective:
I liked this novel better than Prisoner B-3087. I don’t know of any other book that shows perspectives of the Nazis like this one does. It was interesting to see how the Nazis treated the younger generations and raised them. As I read the book, I kept thinking that I was the same age as some of the characters, and I’m glad I didn’t have their experiences. Something else I liked was that there was a lot of action in this novel. Most protagonists in action stories are adults (like Spider Man or Iron Man). This was the first time I saw a boy as this kind of protagonist. I would recommend this novel to people who really like historical fiction but also like a suspenseful story. 

 A Night Divided by Jennifer A. Nielson

Seeing how much Noah gravitated toward historical fiction, I searched for another novel with an action-packed plot that was also more realistic than Projekt 1065. One of my teacher-friends recommended A Night Divided. I liked the fact that this novel, unlike the previous two, focused on an event in history that was not as widely studied in school as the Holocaust. Set in Berlin during the construction of the Wall, this novel chronicles one family’s experiences as they are separated between the East and West sides.  In addition to describing this family’s struggle to reunite, the novel also wrestles with concepts such as patriotism, loyalty, and intellectual freedom.  
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​Noah’s Perspective:
I wanted to read a book that was interesting and had a deeper meaning. A Night Divided showed how people lived when the Berlin Wall was built. But the book is more than just a story about a literal wall. It’s a story about other walls that divide people in different ways. For example, the protagonist (Gerta) experiences invisible walls. Gerta and many characters in the book question whether they should silently accept being trapped inside the wall’s borders. They also question who they can trust when they are talking about their true feelings and beliefs. They are trapped with what they can or can’t say, do, and think. I would recommend this novel to people who want to think about these deeper ideas.

The Saturday Boy by David Fleming

Now that I knew how much Noah liked realistic fiction, I wanted to find a novel that relied less on dramatic plot lines and more on character development. Based on his previous reading experiences, he seemed intrigued with how wars impacted families and adolescents. I was interested in having him explore this theme in a contemporary setting. The Saturday Boy was the perfect choice. This coming-of-age novel focuses on Derek, whose father is a helicopter pilot serving in Afghanistan. Through Derek’s eyes, readers see how separation affects those military family members left behind. Additionally, the novel addresses overarching themes related to adolescence, such as belonging, friendships, and peer pressure. Themes, I thought, that might be relevant to Noah as he adjusted to middle school.
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​Noah’s Perspective:
The Saturday Boy was appealing to me because this novel was very different from the other books I have read. In this novel, the protagonist’s father went off to fight in a war, and Derek did not know what happened to him. The readers did not know what happened to the father either, so it kept the plot suspenseful. Derek also experienced being bullied; I thought that was harsh because he didn’t have a father to help him get through it. It was interesting to see that Derek and his father did have a relationship by writing letters to one another when his father was away. This novel made me wonder what happens to people when families experience separation and wonder how they keep those relationships over a long distance. I would recommend this novel to people who like fiction but also a dramatic story. It made my mom cry! 

Bystander by James Preller

By this point in our book quest, Noah admitted that he actually was starting to like reading. Instead of searching for his next book myself, I told Noah to explore selections in his school’s library. Now that he had a sense of some authors, genres, and topics that were interesting to him, I was eager to see what he would choose to read for himself. His choice: Bystander. Focused on bullying, this novel portrays how the roles of “bully,” “bystander,” and “victim” can blur. Personally (as a former middle school teacher and parent to adolescents), this novel raises several issues surrounding bullying, which need to be discussed with students. Yet, I do not feel that the novel’s resolution provides an adequate solution. For me, this is a good book for simply raising awareness and starting conversations.  
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Noah’s Perspective:
I liked this novel because it shows what being a “bystander” really means – If you are a bystander, you are just as guilty as the person doing the bullying. I have never been bullied, but I thought the events in the novel felt realistic to what kids in middle or high school experience. I chose Bystander because I liked that the novel was based on a topic that is really important right now. A lot of kids might not know what to do when they see their friends being bullied. If people read this novel they might realize that it is better to stand up to bullies rather than stay silent and ignore them. I think it would be good for teachers and parents to read this novel because they probably do not understand the different ways that bullies intimidate the people around them.  This book shows how actions, even small actions, can affect others.
Until next week.

Looking Forward to 2018 NCTE Convention and the ALAN Workshop

11/14/2018

 
What are you doing next Monday and Tuesday? Well, I will be at the ALAN Workshop, but not before I spend several days at the NCTE Convention. This workshop is always the Monday and Tuesday after the main National Council of Teachers of English (NCTE) convention.  Most of you who follow this blog know about ALAN, but for those who don’t, ALAN stands for The Assembly on Literature for Adolescents of NCTE. ALAN and The ALAN Review have been around for enough years (the journal is now in its 46 volume and I believe that the assembly started that year or the year before) that most of the founders are gone or it is difficult for them to attend. Their legacy and commitment to education and reading is not to be forgotten.
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You can read a good history of the journal and the organization in Volume 40 Issue 3. It is free in the archives now and can be found at this link. It is worth the read. It has reports from the early editors of the journal and some of the authors who appeared in the first 40 years of the journal.
The ALAN Workshop is well established and now has an annual attendance of 500 people. This year it is in Houston. I am looking forward, not only to the program, but to meeting the people who are attending the workshop for the first time. I hope you introduce yourself. I will be trying to introduce myself to as many people as possible. If you aren’t attending the workshop, but are attending NCTE I hope to see you at some of the ALAN related events during the main NCTE convention.

The current President of ALAN, Mark Letcher, has put together a dynamite program. I am sorry if you can’t be there, but you can certainly browse the program, be inspired, and start planning on joining us in 2019 in Baltimore. It is not too early to start thinking about how to get there. 
​Every year I try to recruit attendees to write a couple of paragraphs about their favorite parts of the workshop. Last year, quite a few people were willing to help. Check out this link to see who contributed last year (By the way, I hope they all sending me a paragraph this year. I will keep my fingers crossed.) If you are attending the workshop, I hope you consider sending me a paragraph and photo or two.
​I have the privilege of introducing one of the sessions. I am very excited about this opportunity to introduce Ellen Hopkins and Kody Keplinger. They both have relatively new novels dealing with guns, gun violence, and school shootings. Ellen’s book is People Kill People and explores some of the reasons people feel the need to have guns and the consequences of those choices. Kody’s book is That’s NOT What Happened. This book tells the story of a school shooting through the voices of some of the survivors. I can’t wait to introduce them and to listen to their discussion. Guns and gun violence is an issue that is too frequently front and center in the minds of teachers and students. It shouldn’t be, but it is. I am looking forward to hearing about their motivations for writing the books and the reasons they framed their novels in the way they did. 
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It is a topic that worries me quite a bit. I prepare teachers to go into classroom. I never worried about this as a teacher and now I would be remiss if I did discuss the issue of guns and gun violence with preservice teachers. I also have grandchildren that attend public schools. Is this an issue we should have to worry about?

I have written about the issue too many times on this blog. I wrote directly about the Orlando shootings at the Pulse Night Club. I live in Las Vegas and a little over a year ago I wrote about the horrible mass shooting that took place in my home town. The day after last Valentine’s Day I found myself writing about the Marjory Stoneman Douglas High School shootings in Parkland, Florida. To top it off I could be writing about several more shooting--Sutherland Spring, Texas; Tree of Life synagogue in the Squirrel Hill neighborhood of Pittsburgh; and, just a week ago in a night club frequented by college students in Thousand Oaks, California. I, for one, have had enough.

Last March, I joined with Shelly Shaffer and Gretchen Rumohr-Voskuil in a book project that took on the issue. We recruited quite a few people in the English Education and in the YA communities to write a chapter around their expertise. We are happy to announce that the book is in print and the official release date is Dec. 15, 2018. It is entitled Contending with Gun Violence in the English Language Arts Classroom. If you find one of us at NCTE or the ALAN Workshop we will have fliers with a discount code. (or you can download it here) We will be highlight the book on the blog around the official release date.

Here is the image and a flier with the details on how to get the book with a discount.
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For awhile now, Michelle Falter and I have been working on a two books about grief and death. It has been a labor of love. The contributors have been wonderful and the books are officially in the world on November 23, 2018, the day after Thanksgiving. Come on, it will be Black Friday, maybe you should consider buying a couple of books.

Most of the contributors will be presenting on their chapters at this Roundtable session at NCTE. The wonderful and dynamic Sharon Draper has agreed to be the keynote. Her name isn't in the program, so spread the word. It is an early session on Sunday morning. Make sure that you put it on your schedule.
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Below are images of the book covers and a flier with the opportunity to get the books with a discount.
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​I hope to see many of you at NCTE Convention and the ALAN Workshop. If I know you, I will be looking for you so that we can sit and chat a bit. If I don’t know you yet and you are there, please say hello. 

​Until next week.

Taking War Seriously: Modern War in Young Adult Literature by Jon Ostenson

11/7/2018

 
YA literature covers almost anything you would like students to know about. I can't think about a topic that YA doesn't treat seriously in fiction and, in most cases, in non-fiction. This week, we turn the blog over to Jon Ostenson to expand on YA and War. A few weeks ago, Marshall George discussed this topic by focusing on WWII. In this post, Jon discusses YA and Vietnam.

Taking War Seriously: Modern War in Young Adult Literature

In September I was at the Air Force Academy for a conference on war literature where I presented on depictions of war in young adult literature. At the end of the presentation, a young cadet made a comment about how all she has ever known growing up is living in a country that’s at war. Born just before the fateful events of 9/11, she has no memory of a country that’s not at war with terrorists and that’s not at risk of attack at home or abroad.

It was a striking statement that I still, nearly two months later, continue to ponder. It reminds me, first, that the young people in our society often bear the brunt of the military conflicts we engage in. And it suggests to me that war may be something that young people often think about, and not just in the abstract ways I did growing up at the tail end of the Cold War. These young people don’t have to be soldiers deployed to foreign countries to suffer the consequences of war (although some of them will find themselves there). Younger siblings watch older brothers and sisters deploy to combat zones; some wait at home anxiously, counting down the months of a high school friend’s deployment; children are caught in combat zones and suffer deprivations or even injury and death. At the very least, we all may see footage on newscasts and read newspaper and magazine reports.

Marshall George wrote recently on this blog about young adult literature dealing with World War II. In this post, inspired by my encounter with this young Air Force Academy cadet, I want to focus on more modern concerns about war as portrayed in young adult literature. We’re fortunate that many writers in the modern era of young adult literature have taken their readers seriously and demonstrated confidence in their abilities to handle complex representations of war. While they may not reach the same level of popularity as books written about orphaned wizards or hunky vampires, these writers and their books thoughtfully explore the complexities and ambiguities of war and its consequences for the young people caught up in it.

The Vietnam War in YA Fiction

Many young adult authors have tackled war from the perspective of a soldier, although few have done so with the skill of Walter Dean Myers. His book, Fallen Angels, published in 1988 has arguably achieved the same status for young adults as Tim O’Brien’s The Things They Carried has for adults. Fallen Angels tells the story of Perry, a young man from Harlem who can’t afford college, so he enlists in the Army and is deployed to Vietnam. He and his platoon, a colorful and realistically drawn set of characters, confront the horrors of Vietnam and combat against the NVA and Vietcong forces. Throughout, Perry struggles to find redeeming qualities in himself and in his fellow soldiers at the same time as he questions the role of African-Americans in the Vietnam conflict and the US involvement in the war.
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Myers’ book is a masterful examination of the horrors of war and the impact that being a party to violence has on Perry, who narrates the story. The book mirrors the experience many have shared of war: long stretches of boredom punctuated by brief, adrenaline-filled bursts of combat. Myers’ writing throughout is honest and engaging, and in Perry he draws a bright young man who is acutely aware of his perilous place as an African-American in the Army and critically questions the value of war in general and the Vietnam conflict specifically.
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Sunrise Over Fallujah follows Robin Birdy Perry, the nephew of the narrator of Fallen Angels, who enlists in the military after witnessing the events of 9/11. Deployed to Iraq, he’s assigned to the Civilian Affairs Battalion who are supposed to help secure and stabilize the country and win the hearts and minds of the Iraqi people. While his unit isn’t technically assigned to a combat role, Robin sees the horrors of war as his unit is attacked several times (including by the civilians whose hearts they’re trying to win) and is even given a dangerous, highly political assignment where he’s wounded. As the book ends, he’s headed to Ramstein in Germany to be treated for his injuries.

​Again, in Sunrise Over Fallujah, Myers draws realistic characters in settings that complicate simple attitudes about war, the soldiers who fight, and the civilians caught in the middle. Robin struggles to deal with the abrupt and seemingly senseless loss of fellow soldiers he’s become close to and is haunted throughout the book by the conflict he sees and feels between the altruistic mission of the Civilian Affairs Battalion and the violence in which that mission takes place. 
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Other writers broaden our perspective on war by focusing their narratives on the lives of those left behind or those trapped in the middle of conflicts. Dana Reinhart’s book The Things A Brother Knows looks at the experiences of a family waiting at home for a soldier son to return. After three years deployed to the middle east, Levi’s brother Boaz returns home, but he’s not the same. Boaz spends most of his time by himself in his room, walks anywhere when he does leave because he refuses to get into any car, and spends inordinate amounts of time online looking at maps. When Boaz announces that he’s leaving to walk the Appalachian Trail, Levi knows something’s up; using notes Boaz left behind, Levi figures that he’s headed to Washington, DC and decides to intercept Boaz on his walking trip. While Boaz isn’t happy at first to have his little brother tagging along, he grudgingly accepts him and the two visit the families of fellow soldiers still deployed and vets who returned before Boaz. They end up visiting one of Boaz’s closest friends, a fellow soldier who lost both legs in combat. Along the way, Levi comes to better understand the nature of Boaz’s experience as a soldier and learns that Boaz still cares deeply for him.
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Reinhardt examines Boaz’s return in complicated, thought-provoking ways that present young readers with the reality of the challenges faced by returning soldiers and their families. As Levi sees Boaz interact with the families of his comrades and with his close friend who lost his legs, his admiration and appreciation for his brother grows. In a hospital bathroom, he grabs an electric razor and, in imitation of his brother’s military cut, shaves off his long hair, which he has stubbornly clung to in the face of teasing from family and friends. His act is also one of support for his brother and his experiences, and Levi convinces his family to join them in DC, where he’s sure that Boaz is planning to join a rally in support of the troops. When they get to DC, however, Levi realizes that Boaz’s goal is instead a small protest/memorial at the Vietnam wall. Although this confuses Levi for a bit, he resists the urge to question or critique his brother’s actions, instead seeking to understand him in the context of his experiences in combat overseas.
​The Vietnam war is a popular topic for young adult literature, with most of the books about it being written from a Western perspective. One significant exception to this is Inside Out and Back Again, by Thanhhah Lai, a book that’s likely familiar to readers of this blog (but still worth a mention in this context). This is an autobiographical collection of prose poems that tell the story of Ha, a young girl living in Saigon when the war breaks out. Her father is fighting in the South Vietnamese army, and as the fighting threatens to overwhelm Saigon near the end of the war, Ha’s family must make the heart-wrenching choice to leave Vietnam for America. They resettle in Alabama, and Ha faces prejudice and bullying as she adjusts to her new life.
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​Lai’s writing is spare, as is typical of verse novels written for young adults, and powerful. The emotional depth in the poems that describe the family’s difficult to decision to leave their home behind (and their soldier father) are memorable, and the descriptions of their flight on a Naval ship are vivid. Ha’s experiences adjusting to life in America are poignant as she faces prejudice and bullying as she tries to adjust to a new country, culture, and language. This is an important text not only because it’s so powerfully written but because it showcases a voice from Vietnam, not often included in books about this topic.

The Vietnam War in YA Non-Fiction

Finally, I’d like to showcase a couple of excellent non-fiction titles about war, in this case the Vietnam War, written for young adults. These are meticulously researched and carefully crafted so as to encourage critical examinations on the same complexities and ambiguities of war that the fiction titles explore. Professional layouts and some amazing photographs make them even more attractive to readers.
​Boots on the Ground by Elizabeth Partridge takes a unique approach to a war that many young people may either be unfamiliar with or have simplistic interpretations of. Partridge organizes the book around people involved in the war, including regular, every day troops and central figures like JFK or LBJ. When she tells the story, for instance, of Mike Horan, a military advisor sent to Vietnam early in the conflict, it’s clear that she’s carefully interviewed Horan and captures his story in his own words, including his own doubts and concerns about the conflict’s early days. Her portraits of prominent figures like Johnson or Kennedy are drawn from primary sources (including White House audio tapes and even Kennedy’s own Dictaphone recordings). Together, these give the book a very real feeling, and Partridge does not gloss over the difficulties and self-doubt that soldiers and leaders alike faced in the Vietnam conflict. And the individuals she’s chosen represent some careful thinking: The book includes an interview with a protest singer, a nurse, and a Vietnamese refugee, thus striving to present a broader view of the war and its impact on many different people.
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​Russell Freedman’s book, Vietnam: A History of the War, similarly refuses to shy away from the complexities of this conflict and war in general. He begins the book with a succinct history of colonial conflicts in Vietnam that set the stage for Ho Chi Minh and the Communist uprising. In telling the story of the Vietnam war, Freedman incorporates many materials from primary sources, including communications between US government advisors and presidents as well as communiques from the North Vietnamese leaders. His treatment of the war shows the benefit of the decades that have passed and the clarity of hindsight; its greatest strength lies in Freedman’s ability to distill complicated events and political conflicts in a way that doesn’t overwhelm readers but still gives them a clear understanding. And he is unflinching in his critique of American policies and Communist totalitarian practices during and after the war. His final chapter is perhaps what draws me most to this book. Titled “Reconciliation,” Freedman begins the chapter with a description of a modern-day Vietnam with a thriving market-based economy and normalized relationships with the United States and then considers the war in retrospect, including quotes from many political and military leaders outlining why the US failed in Vietnam. He concludes the chapter by highlighting the ways that the two countries have overcome the mistrust and bitterness that were the natural fallout of the conflict in that country. (Freedman passed away earlier this year, leaving behind a considerable legacy of historical writing for young people.)
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​Even before they are eligible to become soldiers, young people deserve to be invited to understand and make sense of the experiences faced by soldiers and those who love them. In today’s environment especially, as we engage in a seemingly endless global war on terror, the likelihood is strong that combat or military service will influence the lives of most young people in some way. And even for those who don’t join the military or experience the direct hardships of war, they deserve a chance to understand the consequences of war, both so that they might gain insights into the experiences of those who do serve as well as those innocents who are caught up in conflicts. They can develop empathy for those who suffer, and the insights gained from this literature can help them make wise choices as citizens who vote and run for office or serve in other civic ways. We owe it to these young people to put good books and stories into their hands. 
Jon Ostenson is an Associate Professor in the English Department at Brigham Young University. He can be reached at [email protected] 

​Until next week.

    Dr. Steve Bickmore
    ​Creator and Curator

    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.
    Dr. Gretchen Rumohr
    Co-Curator
    Gretchen Rumohr is a professor of English and writing program administrator at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

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    Meet
    Evangile Dufitumukiza!
    Evangile is a native of Kigali, Rwanda. He is a college student that Steve meet while working in Rwanda as a missionary. In fact, Evangile was one of the first people who translated his English into Kinyarwanda. 

    Steve recruited him to help promote Dr. Bickmore's YA Wednesday on Facebook, Twitter, and other social media while Steve is doing his mission work. 

    He helps Dr. Bickmore promote his academic books and sometimes send out emails in his behalf. 

    You will notice that while he speaks fluent English, it often does look like an "American" version of English. That is because it isn't. His English is heavily influence by British English and different versions of Eastern and Central African English that is prominent in his home country of Rwanda.

    Welcome Evangile into the YA Wednesday community as he learns about Young Adult Literature and all of the wild slang of American English vs the slang and language of the English he has mastered in his beautiful country of Rwanda.  

    While in Rwanda, Steve has learned that it is a poor English speaker who can only master one dialect and/or set of idioms in this complicated language.

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