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Reading Race Alongside our Students: Ghost Boys in a Rural Middle School Written by Fawn Canady Featuring the work of Jessica Gentzler and Sarah Deering

11/25/2020

 
I first met Fawn when I was interviewing at UNLV. She was a new graduate student who had done some adjunct work for the department I would eventually be joining. She was an excellent teacher and an important asset to our undergraduate English Education program. Before too long we were treating her as a valued colleague. She did such a good job, that secretly, I think that many of us hoped she would stay around. Reason, however, prevailed and we pushed her to finish. 

I want to make it clear that I have sat in on several excellent doctoral defenses (not including mine) that were informative celebrations. Fawn's defense was a completely different experience.  Fawn's presentation not only covered the project of her research, it began to critique her own product. She had clearly spent the two weeks since she had turned the finished work over to the committee examining the limitations of her research. In most cases she had accurately anticipated our question--not concerns mind you--just ideas we wanted to discuss. The defense was an enlightening experience. I am not at all surprised that Fawn found and excellent job. I am also not surprised that teachers in her area would seek her to help with collaborative projects. 

Reading Race Alongside our Students: Ghost Boys in a Rural Middle School Written by Fawn Canady
Featuring the Work of Jessica Gentzler and Sarah Deering

“Dedicated to the belief that we can all do better, be better, live better. We owe our best to each and every child.”
​(From the dedication of Ghost Boys, by Jewell Parker Rhodes)


This year, the word “unprecedented” has been thoroughly worn out. So much so that the Oxford English Dictionary described 2020 “as a year which cannot be neatly accommodated in a single word.” This. This, the year of a global pandemic, emergency remote instruction, #BLM, and a divisive presidential election. This, the year of 8 minutes, 46 seconds that came to symbolize a long, long history of systemic violence against Black and brown bodies. All of this was the backdrop of a shared book club reading with 6th, 7th, and 8th graders of Jewell Parker Rhodes’ Ghost Boys. Books like this one create the space for us to process moments like those of 2020 and dialogic interactions plant the seeds for change.

Ghost Boys is the story of Jerome, a young black boy with a toy gun who is shot and killed by a police officer who “feared for his life.” But that is both the beginning and the continuation of a story that is sadly all too familiar. Jerome is not able to move on from this world and is visited by Emmet Till and other ghost boys– Black boys who died too young because of racial violence. A heartbreaking distortion of Peter Pan, which is a motif used throughout the book of children robbed of the chance to grow up. Like the other ghost boys, Jerome must bear witness: “Everyone needs their story heard. Felt. We honor each other. Connect across time,” Emmet tells Jerome. And who is the only person that can see Jerome? Communicate with him? The officer’s daughter, Sarah. Why? Because as Rhodes tells us, “Jerome says, ‘Only the living can make the world better.’” ​
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This blog post is an exploration of learning to talk about race with young people through literature. I’ll start with the genesis of the project, talk about what I as a teacher educator did, and could have done better, to prepare preservice teachers for this work. Then, I will share some of the things the kids’ teachers, Jessica Glentzer (English) and Sarah Deering (Social Studies), did to lead them through the history and the stories.

Just a few months ago, a forwarded email came through my inbox: “Book Club PBL opportunity?” It was from Jessica Glentzer, a middle school English teacher, who with Sarah Deering, the social studies teacher, was preparing to conduct an interdisciplinary, project-based learning unit centered on middle-level YA books on race and implicit bias. Because of the constraints of remote instruction, including limited class time with students each week, they were writing to enlist the help of college students from Sonoma State’s School of Education to read alongside students in Zoom book clubs. They sought students who could model the following skills: a) strong reading and inquiry skills, b) constructive discourse, c) being able to speak about personal experiences around bias/racial tensions and social justice, and d) brainstorm ideas for projects to “build ELA skills, but more importantly empathy...and social awareness.” The email ended with, “I look forward to hearing from you!”

​I jumped at the chance to give my teacher candidates (TCs) more interactions with kids. I am an assistant professor of Adolescent and Digital Literacies at Sonoma State University. One of my primary roles is to prepare secondary English teachers. Our pre-service teachers are currently in virtual placements but have only limited time with students. Some of my TCs only see students for two 30 minute synchronous sessions a week. Interactions with students was an unexpected gift. What’s more, the TCs didn’t have to prepare lessons: their role was to enjoy the book with the students and model what it looked like to be engaged readers. It was a great opportunity to learn more about how students interact with books, what they know and can do with literature. Lastly, Jessica and Sarah’s objectives for the book clubs also align with our critical work at SSU. Advancing justice is literally part of our mission and vision, and is integral to our teacher preparation courses across disciplines.
Ghost Boys became required reading in my English methods course. Jessica and Sarah secured a grant to buy a copy for each of their students.


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Fawn
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Sarah Deering Guerneville School
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Jessica Glentzer Guerneville School
The TCs in my methods course were excited to participate in the book clubs...until they read the book. Many of them were nervous about talking not just about race, but violence against Black children. A few questioned whether it was appropriate to require this book in middle school. To prepare, I required or recommended several different texts:
  • Sherman Alexie’s “Why the Best Kids Books Are Written in Blood” 
  • Ghost Boys author, Jewell Parker Rhodes on her Inspiration for Ghost Boys, in which she tells the story of being approached to tell a story about young men of color assaulted because of racism or racial bias. Rhode’s immediate response? “No. No way.” Watch to see why she changed her mind and find out how she approached writing the novel so that she could tell the story.
  • Ashley S. Boyd and Jacinda Miller’s “Let’s Give Them Something to Talk (And Act!) About: Privilege, Racism, and Oppression in the Middle School Classroom.” This article was the topic of the NWP Marginal Syllabus and examines how to engage students in discourse about race and privilege.
There were also questions that surfaced early in methods about YA in general, not just this book. This condition stems from what I remember Steve Bickmore calling “English Majoritis,” or acute suffering or withdrawals from the Western canon. So, I invited Steve to speak about Why YA Literature? I also used this opportunity to ask my students to read two posts in addition to a few of their choice:
  1. “The Unbearable Darkness of YA Literature” by Steve Salerno who supposedly attended the YA Summit at the University of Las Vegas in 2018. In this article, he reduces the “socially aware” books featured at the Summit as books on “sexual abuse, dysphoria, racism, gang life, domestic violence and school shootings” and wonders what’s happened to young adult literature.
  2. Followed by “Finding Light and Hope in Young Adult Literature: A Response to the WSJ’s Unbearable Darkness and Misappropriated Commentary” written by YA author Chris Crutcher, Kelsey Claus, Amanda Melilli, Kia Richmond, Stephanie Toliver, Louse Freeman, and with final remarks by Steve Bickmore. These responses were a forceful counterpoint from authors, librarians, scholars, and teachers to Salerno’s piece.  ​
As part of SSU’s focus on practice-based teacher education, we worked with TeachingWorks’ eliciting and interpreting student thinking decomposition to consider how to advance justice through discussion moves that center students’ ideas and brilliance in the service of learning objectives. Of course, we could have done more. Looking back, I wish I would have had more time to bring in experts, like my colleague Lisel Alice Murdock-Perriera, to talk about race and racism with students (upcoming presentation). I also recommend rehearsals or peer-run-throughs in leading discussions for preservice teachers. This would have given us more time to practice with sensitive topics and difficult questions before they came up with students in book clubs. 
Jessica and Sarah did a lot of work setting up students. For example, they started with A Look at Race Relations through Children’s Eyes, research conducted by CNN that, in the same vein as Alexie’s piece, found that young children are aware of race and racial bias at an early age. They do think about and experience racism– and they pick up on cues from adults and society at an early age. Students used a Padlet as space for students to post questions for book clubs using Costa’s Levels of Questioning. The students created art, wrote and recorded multimodal reversal poems, and created found word poems like the two below, in which students literally lift words from the page and arrange them:
Remembering the past
Bear witness
Maybe remember me?
More beautiful than I ever thought
The dead are close
She lights candles 
We were a threat, a danger, a menace.
Black people were killed. 
Tell this tale
Again

Bullying
Prejudice
Scared
Brace myself
For pushing
I run
Everyone gets scared sometimes
It could have been you
The reversal poem was a great opportunity to take the feelings students were wrestling with and develop a counterstory of hope and agency. As a friend and Holocaust scholar Alan Rosen once told me, “Lead them in gently and lead them out safely.” I can’t share those poems with you now, as they are videos of students, but watching the students read lines that start, “Experts tell me that being separated is the way to go” transform, when read backward, to “It’s not true in my era that experts tell me that being separated is the way to go” was so moving. Use this template to encourage students to respond to texts through counterstory. Finally, Jessica and Sarah are currently working with the students to research a historical aspect of racial bias in America and then write a children’s book that will be read by the student authors and posted on the local library’s website.

 Ghost Boys Reversal Poem 7th Grade Student 

I'm a bad person. 
And I refused to believe that 
I'm happy. 
I realize this may be a shock, but
I had a good life is a lie
people of color are hated. 
In 30 years, I will tell my children that 
I have my priorities straight because 
race is more important than personality. 
And I tell you this, 
once upon a time, 
we were created equal, 
but this will not be true in my era. 
People of color are discriminated against. 
Experts tell me, people are treated the same. 
I do not conclude that everyone’s born the same, 
It will be evident that
In the future, everyone will be treated differently. 
No longer can it be said that we're all just human. 
It is foolish to presume that we are all the same. 
And all of this will continue
unless we reverse it.
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We are all the same. 
We are just humans. 
No longer can it be said that 
everyone will be treated differently. 
In the future, 
everyone's going to have the same advantages 
and not conclude that people are treated the same. 
And experts tell me, 
people of color are discriminated against. 
But this will not be true in my era. 
We were created equal once upon a time. 
And I tell you this, 
personality is more important than race. 
I have my priorities straight 
because in 30 years 
I will tell my children that people of color are heeded. 
It is why I had a good life. 
I realize this may not be a shock, but
I'm happy. 
And I refuse to believe that 
I'm a bad person.
In the end, my students and 100% of Jessica’s and Sarah’s students recommend that kids read Ghost Boys in school. It wasn’t easy. There were a lot of silent, black boxes in Zoom most days. My TCs were feeling like they were holding book discussions in the chatbox only. There were also times when they didn’t have answers. But, in the post-survey administered to middle schoolers, Jessica and Sarah saw a significant shift in students’ understanding of the world they live in. Students reported changes in thinking from increased empathy for kids who are bullied to “better understand[ing] the real amount of lives lost because of implicit bias.” The students also valued the space afforded by Zoom to have SSU students read alongside them. This wouldn’t have been possible when we were in-person because of the nature of rural districts. Several of the middle school students named the SSU book clubs as the best part of the project, such as the student who said, “My favorite part was when we would process information on fridays (sic) in book clubs. It helped me understand the book more.” Even when you think they aren’t listening, they are.
My TCs also saw the value in reading this book with students. One of the skeptics started by saying they were “astonished that teachers in middle school would assign such reading to twelve-year-olds” but ended up a convert. It was not only the students that changed their mind, it was the second reading of Ghost Boys that brought out the thoughtful, nuanced, truthful, and hopeful writing by Rhodes. The pushback Jessica experienced when she first assigned the book ended positively too. A middle school student thought it was “super sad,” but the student’s parent told Jessica “it was one of the best books their child read as it engendered amazing conversations for them.” Finally, another 6th-grade student’s anonymous response in the post-survey encapsulates the near-unanimous sentiment among adults and kids alike:
“I have to say that after reading the book, I would recommend this as a ELA (sic) required reading. If you had asked me this in the first survey we took on Ghost Boys, I would have said no after reading just Jerome's death. If you can't already tell, I take everything I read to heart (I have tried and I can't read books like Anne Frank or Old Yeller), but this book really made me want to "live and make it better." I think it inspired others too.”
End with other books (images) I’d love to teach alongside:
  • Stamped
  • Monday’s Not Coming by Tiffany D. Jackson
  • Dear Martin
  • Black Enough: Stories of Being Young and Black in America
  • Out of Darkness
Until next time.

ALAN 2020 Preview.

11/18/2020

 
It is coming! If you are connected to NCTE, ALAN, or the English Education communities you have probably heard a few rumors about the ALAN Workshop. The current President, Ricki Ginsberg, has done a wonderful job putting together a workshop during challenging times. She has coordinated with publishers, NCTE, authors, and the ALAN board to piece together a wonderful workshop. Clearly, it will be in an online format this year. Fight through the Zoom exhaustion and join the fun.

Like many of you, I have been extremely busy trying to figure out Zoom, Google Meets, WebEx and all of the ins and outs of virtual teaching. I have registered for NCTE and the ALAN workshop, but it is finally becoming real as the books start to arrive. Attendees who registered and paid for a shipment of books find that the books really do show up.  They have started to flood Facebook and Twitter with pictures of their books in an homage to past workshop. In the past, people arrive at the hall early Monday morning to pick up their book boxes and many open the boxes and set them on their tables.
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Of course, this year we will all be attending from our offices, kitchens, living rooms, or carved out spaces we have been using as our offices. My box arrived on Monday and I dutifully open the box and took a picture.

Steve's Stack of Books

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Steve's Bickmore for 2020
I have been trying to capture all many of the images that have been shared on Facebook. I have placed them below in a slideshow. Do you see your display? If I missed yours let me know.

A Slideshow of Books as Attendees Prepare for the 2020 ALAN Workshop
​Do you see your stacks?

The Program for the 2020 ALAN Workshop

The program will be outstanding. Some of the featured speakers include Angie Thomas (Breakfast Speaker), Samira Ahmed (Keynote), and Eric Gansworth (keynote). If you are familiar with these authors you are well aware of what they have to offer. If not, get ready to add a host of books to your "to be read" list.

Angie Thomas

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Photo Credit Imani Khayyam
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Samira Ahmed

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Eric Gansworth

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The 2020 ALAN Workshop Program

Browse the program. Is one of your favorite authors going to be presenting?  I hope so.  Schedule the time so you don't miss the presentation. 

One of the most important parts of the ALAN Workshop is the chance to hear from authors that you have never heard of before. At a workshop I found  Padma Venkatraman (Climbing the Stairs), Bonnie-Sue Hitchcock (The Smell of Other People's Houses), Chris Lynch (Inexcuseable), Jeff Zetner (The Serpent King), Adriana Mather (Haunting the Deep), Varian Johnson (The Parker Inheritance), Kristin Bartley Lenz (The Art of Holding on and Letting Go) and so many more. 

Do yourself a favor and listen to people who are entirely new to you. I promise, you will find new friends.
Until next week.

To Be Read: Young Adult Literature in BookTube by Anita DuBroc

11/11/2020

 
Today, as our guest contributor, we have Anita DuBroc. I met Anita when she enrolled in the Holmes MA program at LSU. Now she is a PhD student working on her dissertation in literacy at the same institution. In this post, Anita talks about getting some inspiration from another post in Dr. Bickmore's YA Wednesday. It is source of happiness when the work and ideas of others is shared on the blog and, in turn, inspires others. Thanks Anita.

To Be Read: Young Adult Literature in BookTube

What is BookTube?

BookTube is a subcommunity of YouTube that is based on books and reading. Alison Wender and Tara Anderson Gold wrote a wonderful post based upon BookTube for YA Wednesday in February 2018, which I have linked here. They have inspired me to go down the rabbit hole of BookTube for my own research and the results have enlightened and diversified my reading habits. I discovered BookTube during my first year of teaching and since then, it has challenged me to be a more thoughtful reader and book recommender to family, friends, and students.
​
 BookTubers are content creators who are also readers and sometimes even writers. Many BookTubers are librarians or work in the publishing industry. Some BookTubers have even been hired by publishing companies because of their work in BookTube. 
​Booktube is rooted in young adult literature. The advent of YouTube as a social media platform coincided with the YAL boom during the early 2000s. As those early booktubers have grown, their reading interests have evolved; they discovered new interests, authors, genres, and series. The BookTube community is a space for readers in the digital world that brings together several social media networks where readers can not only share recommendations, review books, and plan their future reading: BookTube is also a space where literary analysis can happen, too. 

What does it do?

BookTube videos usually feature one person, the booktuber presenting a book review. A booktuber may begin the month with a video of his or her to-be-read list (TBR) of books expected to be read over the month. Then, at the month’s conclusion, the booktuber will review those books. These videos give the viewer a sneak peek at potential reads. Review videos also show when a booktuber DNFs (did not finish a book), which suggests that it is okay to not like or finish a book, an important idea that all readers should keep in mind. Life is too short to read books you don’t like!
​
While book reviews are a staple in the community, there are numerous other video types that would be useful when translated into the classroom. Many readers participate in reading challenges, which occur over a defined period of time. Another example is a read-a-thon where a creator delivers a prompt with a challenge. For example, last year the Book Roast hosted The Magical Readathon, with prompts based on the Harry Potter series. Nonfiction November is happening this month; created by several booktubers, it challenges other booktubers and viewers to read at least one nonfiction book over November 2020. 

The Magical Readathon

Nonfiction November

Reading challenges can also feature a time limit, such as Dewey’s 24 Read-a-thon where readers read as much as they can over a twenty-four hour period. The most easily accessible reading challenge is Goodreads’ yearly reading challenge which is hosted on their website, www.goodreads.com.
​
Tags are also a mainstay in BookTube. Similar to an email chain, a list of prompts or questions is created with booktubers responding to the prompts based on their bookshelves or reading experiences. Book tags include “Unpopular Opinions,” seasonal picks, or ones related to a particular monthly theme (such as Black, female, or LGBTQIA+ authors), or Top 10 lists. 
Book chats videos feature literary analysis, much like what is done in a classroom, though in an easily accessible and enjoyable format. Book chats can feature a specific theme, author analysis or genre analysis. These videos can also feature author videos or collaboration between two booktubers (a collab video).
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What’s most unique about Booktube is the active comments section included in each video. Here, viewers can interact with the booktuber and with other viewers/readers. Thus, the reading recommendations, critiques, and analysis do not remain only with the booktuber as a reading authority, but with the viewers and booktuber exchanging ideas and opinions. 

YAL in BookTube 

Young adult literature is one of BookTube’s favorite genres. With the growing popularity of young adult series, readers have more books to choose from young adult authors. Fantasy and science fiction are the latest popular genres in YAL amongst booktubers. Authors Tahareh Mafi, Sarah J. Maas, and Leigh Bardugo have risen in popularity in the last two years with their fantasy series.
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I have discovered numerous young adult titles through BookTube, including John Green, Gabrielle Zevin, and Melina Marchetta. I have been encouraged to diversify my reading to include other ethnicities, nationalities, races, and gender identities. Booktubers have advocated for multicultural books and authors. For example, Angie Thomas’ The Hate U Give has spurred an emphasis on young adult books with Black characters and by Black authors. The Artisan Geek offered her advice to viewers about how they can diversify their reading as she took on a personal challenge to be purposeful in her reading. 

The Artisan Geek

​Some BookTubers only read YAL, while others infuse YA titles with adult titles, as with readalikes (If you like this, then you should read this…), where YAL books are paired with canonical or contemporary titles with similar themes or characters. Many booktubers have taken on issues with young adult literature as a genre in their videos including what they would like to see more of in the young adult genre. Charlotte, at Wonderfully Bookish explains the ideas she wants to see in YAL and turned her video into a Tag video and invited increased discussion in the video’s comments section, especially book recommendations. The videos challenge teachers, publishers, and librarians to help students find books and authors that respond to these wants and needs. The conflicts presented in these videos would bring a great discussion into the classroom about diverse representation in school reading. 

 Wonderfully Bookish

BookTube in the Classroom 

BookTuber Ariel Bissett has also issued a challenge to both students and teachers in her video “Is BookTube Educational?” (2018). She has convinced some of her own university professors to accept video essays in lieu of traditional literary analysis papers. BookTube has numerous classroom possibilities to help motivate readers, create a classroom culture of reading possibilities, and teach important digital literacy skills.

Ehret, Boegel, & Manuel-Nekouei (2018) suggests that BookTube can be used in the classroom to teach students important digital literacy skills. They suggest creating a BookTube channel for your classroom where students can post book reviews, book recommendations, or literary analyses. Using Google privacy features, teachers can set the channel to private and monitor the comments section. Through the comments section, students can also discuss their classmates’ opinions and exchange information based on books, literary film adaptations, and reading challenges. Del Mar Suárez and Gonzalez Arguello (2020) include a wonderful evaluation rubric they used with their language--English--for a Specific Purpose for students in Spain. 
BookTube is not without its criticisms. Many booktubers take issue with the community’s lack of diversity in book choices and popularity and the lack of diverse representation among booktubers. Some also find conflict with the professionalization of BookTube; several booktubers, including Ariel Bissett, have begun careers in publishing or writing due to the skills and networking based in BookTube. Several publishing houses have begun BookTube channels.  

Recommendations 

BookRat Misty is a Michigander who reads middle grade titles, graphic novels, and YAL. She also hosts a blog TheBookRat Blog  which includes a plethora of author interviews, links to fellow booktubers, and her own hand-drawn creations to keep track of reading progress. She also hosts reading challenges and book chats throughout the year.

A Clockwork Reader is a college student who loves YA fantasy and eschews the traditional TBR list. She is also open about her own life in her channel.

Words of a Reader, Lesley is a Brit who advocates for children’s literature and creates thoughtful book discussions based on issues within the BookTube community such as What Makes a Classic Book?

Merphy Napier’s How to Find the Best booktubers [for you] notes how BookTube viewers can find the right BookTube channel to fit their preferences. Much of her suggestions include narrowing search terms to favorite author, genre, or reading preferences.

BookTube Recommends: Underrated YA Books is a wonderful collaboration video of booktubers recommending their favorite underrated YA books. The video would be a great introduction for those looking to find their way into BookTube.
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Angeltrazo's Asian American Book Club: Young Adult Books Angel is a Ph.D student in cultural studies at UC – Davis and admits to loving YA despite being 25. Her recommendation video is a response to the Filipino-American History Month, which this month. She recommends a mix of fiction and nonfiction books by Filipinos and Filipino-Americans. 

Research articles 

Ehret, C., Boegel, J., & Manuel‐Nekouei, R. (2018). The Role of Affect in Adolescents’ Online Literacies: Participatory Pressures in BookTube Culture. Journal of Adolescent & Adult Literacy, 62(2), 151–161. https://doi.org/10.1002/jaal.881

Del Mar Suarez, M and González Arguello, M. V. (2020). Becoming a good booktuber. RELC Journal, 51(1). 158-167. DOI: 10.1177/0033688220906905

Semington, P., Mora, R. A., and Chiquito, T. (2017). Booktubing: Reader Response Meets 21st Century Literacies. The ALAN Review, 44(3). 61-67. Retrieved from http://www.alan-ya.org/wp-content/uploads/2014/11/J61-66-ALAN-Sum17.pdf

Sorenson, K and Mara, A. (2013). BookTubers as a Networked Knowledge Community. In M. Limbu and B. Gurung (Eds.). Emerging Pedagogies in the networked knowledge society. Hershey, PA: IGI Global. 
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If you have any BookTube or booktuber recommendations, please include them in the comments below! 
Until next week.

Why YA Literature? classification isn't the classics, but does that matter?

11/4/2020

 
​Two weeks ago, I began a discussion of some of the reasons a few educators are reluctant to use YA literature in the classroom. I discussed the first reason, YA literature is quality literature, in a blog post on Oct. 21, 2020. I, of course, believe that a great deal of YA literature is of high quality and deserves  to be included in a variety of ways in our classroom. Today, I take on the second objection --The YA classification isn't the classics and don't students need to know them and have a flow of literary history? Well, this has several parts that I will address below.

The YA classification isn't the classics and don't students need to know them and have a flow of literary history?

I want to look at that objection in several ways. The first is use the term "YA classification" versus YA literature. The second part is that it isn't the classics. The large assumption here is that even if YA selection is of high quality, it still isn't the classic. Finally, the last part of the discussion for this week-- Don't students need to know the flow of literary history. Let's take a look.

Why use "YA classification" vs YA literature?

I find that my students often think about YA literature as a genre. As a group of books that can be easily encapsulated and put to the side. I use the term classification because it gives my students pause. They often wonder what I am talking about. Then I get to explain. YA is Literature written with a big L that is part of all Literature. Just as every other text in the larger world of Literature, texts within the YA classification can easily be assigned into a genre--poetry, drama, science fiction, fantasy, etc. The classification of YA has more to do with the audience the work is written for and/or marketed towards. It has very little to do with it's quality and genre.

I believe my preservice teachers and others who are just beginning to explore YA have a limited view of how vast the offerings can be. I find that I am reading more and more nonfiction , but I still am not reading as much fantasy, science fiction, poetry, drama, and romance fiction. I still find my interest locked on to older realistic fiction.  

YA might be high quality, but it still isn't a classic text.

First, define a classic. In many cases it still means dead white male writers from Britain or New England in the USA.  Oh, in some periods people include a few female writers as a way of "expanding" the canon, Jane Austin, Edith Warton, Mary Ann Evans, Kate Chopin, Virginia Wolff, Flannery O'Connor, etc. Creating lists like these tend to demonstrate how white, elite, and colonial they really are. Even if we stay in this tradition, how old is a book before it is a classic? Are we ready to include Toni Morrison or Alice Walker? Do we want to include Walter Mosely? I do, but he is still alive and writing. And, granted, perhaps his best work is in the detective genre and does that really count. After all we have neglected, Dashiell Hammett, Raymond Chandler, and Ross MacDonald. 

Clearly, defining the classics gets messy and complicated. Even establishing who gets to argue which books are/or might be included is political and complicated. The degree to which diverse authors are included is quite complicated. For example, teacher might include Chinua Achebe's Things Fall Apart, (a wonderful book, but the way) and claim or feel they have represented "African" literature. While, Achebe is a member of Igbo people within the borders of present-day Nigeria, it would be a huge overstatement to say the selection represents all African literature, a continent with 54 countries. It would be similar to suggestion that a work by William Faulkner would be a representation of all work from the Americas.

Having students read a single work or five to ten "classic" works in any given course it would still make it difficult to say that we have taught or introduced them to the classics. Any attempt is limiting and bound to marginalize many groups--especially those that are members of some diverse group.

At the same time, one might argue that the YA classification has its own "classics." In many ways that list would also be quite white, yet it would include an equal number of women-- S. E. Hinton, Judy Blume, Lois Lowery, Cynthia Voight, etc. The list of males might include Paul Zindel, Robert Cormier, Jerry Spinelli, Mel Glenn, etc. In addition, there are at least four Black American Authors that should be included--Walter Dean Myers, Julius Lester, Virginia Hamilton, and Mildred Taylor. 

If the term classics suggest a text of high quality, critical reputation, and longevity then It is past time to recognize that the YA classification has its share of classic texts. Then after that, the debate about the nature can rage on.

Don't students need to know the flow of literary history.

Do students need to know the flow of literary history? Do they need to know major dates--1066, 1660, or1832? Do they need to know about the great vowel shift? Do they need to know how deeply the metaphysical poets influenced T. S. Eliot and through Eliot most of modern poetry for at least a decade? Do they need to know how Cleanth Brooks, R. W. B. Lewis, and Robert Penn Warren developed and preached New Criticism in a way that dominated literary theory, Literary textbooks, and literature courses for at least a couple of generation and is still a powerful influce today? Who doesn't respond to the demands of paradox, tension, and irony when reading and analyzing a text?

Well, if all of our middle and high school students were planning on being English majors, that might be a fine plan. New flash, they aren't.

Okay, then. let's assume that for some reason Literary History is essential knoweldge. 

It isn't that hard to teach. It is a couple of power point lectures with a couple of quizzes. It isn't any more difficult to teach than the times table in Math, the period table of elements in Chemistry, or the process of photosynthesis in Biology. All of these can be reduced to the presentation of facts that can be repeated until mastery. Does the accumulation of this information develop a love of learning or a love of reading? Does it promote joy and quest for the next book? 

I doubt it. So, go ahead take a day or two and lecture on literary history. Give a test. Most of your students will do just fine, but they won't run out and read Milton or Gerard Manly Hopkins. More likely, your students will read what you encourage them to read, they will read what you are excited about. They will read what their peers are reading. 

Remember the Harry Potter phenomenon? Many pundits passed on the book. It was felt to be too long, a long with a number of other objections. Yet, once it got in the hands of readers it spread by work of mouth and became part of a reading revolution.
In summary for this week, the YA classification is large and full of representative works from every genre. It has been developing its identity since at least 1967. It is logically to assume that their is a growing body of classic text. And, if you think your students know about literary history, then go ahead and give them a lesson or two. At the same time, decide on your goals. If they include developing fluency, comprehension, and a love a reading then a healthy supply of YA texts in your classroom might be a great solution.

​Until next week.

    Dr. Steve Bickmore
    ​Creator and Curator

    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.
    Dr. Gretchen Rumohr
    Co-Curator
    Gretchen Rumohr is a professor of English and writing program administrator at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

    Bickmore's
    ​Co-Edited Books

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    Meet
    Evangile Dufitumukiza!
    Evangile is a native of Kigali, Rwanda. He is a college student that Steve meet while working in Rwanda as a missionary. In fact, Evangile was one of the first people who translated his English into Kinyarwanda. 

    Steve recruited him to help promote Dr. Bickmore's YA Wednesday on Facebook, Twitter, and other social media while Steve is doing his mission work. 

    He helps Dr. Bickmore promote his academic books and sometimes send out emails in his behalf. 

    You will notice that while he speaks fluent English, it often does look like an "American" version of English. That is because it isn't. His English is heavily influence by British English and different versions of Eastern and Central African English that is prominent in his home country of Rwanda.

    Welcome Evangile into the YA Wednesday community as he learns about Young Adult Literature and all of the wild slang of American English vs the slang and language of the English he has mastered in his beautiful country of Rwanda.  

    While in Rwanda, Steve has learned that it is a poor English speaker who can only master one dialect and/or set of idioms in this complicated language.

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