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The STEM Read Experience: Celebrating 200 Years of Frankenstein by Melanie Koss

4/24/2019

 
This week we turn the posting duties over to Melanie Koss. Melanie and I have been acquainted with each others work for more than ten years. She is a fine scholar and can always be found doing something interesting. A little over a year ago she wrote a post about her experience as the chair of the Michael L. Printz Award committee.  What an experience and she provides some insights into the process. You can revisit that post here. 

This week Melanie introduces and discusses a project that combines YA and Stem. I am more and more interested in how YA Literature can be used to make all kinds of cross-curricular connections. I have been focused on the Social Studies and Music. I found myself intrigued when Melanie mentioned that she was involved in a Stem Read Experience. Maybe more of us should be exploring these opportunities. Thanks Melanie,for showing us a model.

The STEM Read Experience: Celebrating 200 Years of Frankenstein by Melanie Koss

Picture a room full of 350 high school students, working together to solve puzzles, complete science and engineering challenges, compete in relay races, debate ethical questions, all while talking about a YA novel. The room is filled with cheering, hushed whispers, excited talk, and high energy. At times, students had their noses stuck in a book. Just about all of the students are engaged. This was the scene at the STEM Read: The Frankenstein Experience field trip event featuring YA author Kiersten White and her book, The Dark Descent of Elizabeth Frankenstein.       
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Dealing with Standards in the 21st Century

Standards are a necessary component in teaching, for good or for bad. The ultimate goal of the different standards is to prepare students for college, careers, and overall life skills. Many of us are familiar with the English/Language Arts standards, and the different ways we are told to teach reading and literature skills in our classrooms. We all know that a key to future success is the ability to read and write. Another critical area of interest right now is STEM, as according to the Bureau of Labor Statistics, jobs in STEM fields will be increasing to more than nine million by 2022. The Next Generation Science Standards (NGSS) target STEM skills, including critical thinking and problem solving. I think we can all agree that the content in the standards is important. The question is what to do we do with them.
 
Looking at the standards, they are segregated out into different content areas, essentially turning learning into silos, something that isn’t aligned with the way of everyday life. Our teaching is also often segregated, with many of us focusing on only one curricular area. This is how education today is set up, but are there opportunities to work together? If we wish to create critical thinkers and meet all of the standards effectively, why not find ways to combine the standards into authentic learning opportunities.
 
The world and workforce in the 21st century need people who are able to think critically, solve problems, read complex texts over a variety of media, interpret data, and be creative and flexible. We need to teach our students that failure is ok, as long as they try again to solve their original problem using innovative ways of thinking and perseverance. YA literature is a great springboard into tackling many of these different skills.

Why literature and STEAM?

When we find the right book for the right reader at the right time, and we set an authentic purpose for reading, we can encourage teens to read, even reluctant ones. There is little better than igniting curiosity and encouraging teens to read to connect to topics they find interesting or useful. And using what they read in high-energy, critical thinking activities is a combination for success.
 
High-interest young adult literature is a natural pairing to teach literacy and STEAM (science, technology, engineering, the arts, and math) concepts. Teachers are familiar with using literature and critical thinking techniques in teaching literacy, and using problem-solving activities to teach science, math, and social studies. Combining the two, and adding in problem-based learning activities, can create motivated and engaged students while learning STEAM and literacy concepts and skills. What more can a teacher ask for? This is where STEM Read fits in.

STEM Read

​Northern Illinois University’s (NIU) STEM Read is a unique and innovative program that uses popular fiction books as a gateway for K-12 students and teachers to explore STEAM concepts. STEM Read’s goal is to motivate students to become STEM literate, to encourage interested students to pursue classes and careers in STEM fields, and most importantly, to read. Their tagline – the science behind the fiction!
 
One of the program’s most popular events is interactive field trips, which allow students to visit campus, meet a best-selling author, learn from experts, and participate in a live-action game based on STEAM concepts from a popular book. In December 2018, in honor of the 200th anniversary of Mary Shelley’s Frankenstein, the book was The Dark Descent of Elizabeth Frankenstein by author Kiersten White. Prior to the field trip, students were encouraged to read both White’s book and Frankenstein, although reading the books was not a requirement of participation. The field trip is designed to both use students background knowledge from the books and/or pique their curiosity to the mysteries a book might hold. Registration for the event included a copy of The Dark Descent, and students who received their books that day often began reading the book right away.
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Many of us know the story of Frankenstein, the story of Victor Frankenstein, a man who struggles to challenge death through medical experimentation and the creation of a monster composed of random body parts. But creating a monster brings a new set of challenges. Kiersten White provided new insight, retelling the classic novel from the point of view of Elizabeth Lavenza, Victor’s cousin, friend, and confidant. But was Elizabeth as kind and meek as suggested in Shelley’s book? Absolutely not! She just did what she had to to survive, and part of that survival was trying to protect Victor and tamp down his experiments. Students attending the field trip had to survive, too. Acting in the role of Elizabeth, they had to survive challenges designed on key themes and elements in both books in order for their team to win.

The Event

​You enter a large room. The lights are dim, eerie music is playing, thunder booms in the background, thick red velvet drapes fall heavily on both sides of a stage. On the stage sits a dead corpse draped in a bloody, white sheet, surrounded by body parts. Electric static lights glow purple light. Tables are set up with odd looking materials on them. A screen covered in lightning bolts projects the words Frankenstein: The STEM Read Experience with special guest Kiersten White.
 
Students file in, at first boisterous and chatty, and a hush falls as they take in the scene. Excited chatter follows as they are assigned a table and begin to explore the materials at hand. On each table, a small pile of money and red and gold tokens. These are the first to be examined.
 
The event begins with an introduction and instructions. Teams must complete challenges to earn money and morality points. For each challenge, teams can earn or lose money based on their successes. For each ethics challenge, teams must place a red or a gold chip into the morality chip bowl. The team with the most money at the end survives. The morality chip randomly chosen at the end of the field trip from the morality chip bowl determines whether Elizabeth lives or dies, so the ratio of the chips in the bowl matters.

Students are guided through the day by a moderator, introducing the author and experts, explaining challenges, and inviting students’ exploration of ethical constructs. The general structure is a read aloud of a passage from the book, often done by the author, followed by an expert presentation in the form of a video or in person, a related STEAM challenge, and lastly an ethical dilemma to debate. This cycle takes place several times during the course of the event, and the challenges target each of the STEAM curricular areas. All of the challenges relate to themes and topics from the books.
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It begins! “Elizabeth,” aka the students, are welcomed and told that they are Victor’s friend and that they must save him from himself without losing their own sense of self. They are told that the choices they make will have a profound effect on their future. The stage is set.
 
Author Kiersten White takes the stage to a huge round of applause. She reads a snippet of the novel, setting the scene. Victor is standing above Ernest’s body holding a bloody knife. Medical experimentation. In order to experiment, a critical skill is needed, suturing. A video by a medical expert is shown, teaching students how to suture. Can they do it on their own?
 
It’s time for the first challenge – Blood and Bananas! Teams complete a relay race challenge suturing bananas. Each team member must run to the banana stations set up at the back of the room and complete two, correct sutures. The first team to complete 16 sutures wins, but there is a time element. A timer is displayed on the screen, adding to the excitement. Can the students suture? Can they save Ernest? Screaming and team chants are heard, and back at their tables, students are sharing tips with their teammates, sometimes drawing diagrams with instructions. The timer chimes, groans and cheers are heard, and the room goes silent as the winners are announced. Imagine the excitement!
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But suturing is not enough. It’s time for the first ethics debate. In their table teams, students debate whether or not they, as Elizabeth, should tell Victor’s parents the truth about how Ernest got hurt. Do they sell out their friend to protect him? Heated discussion takes place. Many students turn to the books, looking for quotes to support their decisions. Text evidence is used. A decision is made. But was it the right one?
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Students continue in this manner, using letters and maps to track where Victor has been going around the town of Ingolstadt, solving math problems to determine his path, and attempting to discover what Victor has been up to. Some of the letters are written in German and must be translated and checked for correct spelling and grammar. If they are correct, they find their way to Victor’s lab, allowing them to move on to the next challenge. Walking around the room, students are bent over math problems and using map keys. A student looked up at me and said, “I have never been so determined to solve a fricken math problem before!”
 
Time is up. Students must face another ethics challenge. As Victor’s friend, do you alert the authorities to Victor’s suspicious activities or continue to search for Victor to stop him before he goes too far? How far is too far? Is it true that Victor is experimenting on bodies?
 
Next, students learn how Victor was getting his bodies through an expert historian. They learn about the art of body stealing. Just imagine the student responses when they see historical images and documents on the screen. It isn’t exactly pretty. A bit more reality sets in when students are told that now that they have found Victor’s laboratory, they have access to his lab notes.

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Annoyingly, Victor’s lab notes are a jumble that must be deciphered. Pages are provided in an envelope, but they make no sense. Students must complete logic puzzles to figure out the days and times Victor plans his missions, math problems figuring out pints of blood and other materials Victor uses in his experiments, science challenges causing them to explore deer anatomy and nervous system schematics, and assorted other paper challenges, attempting to successfully solve the puzzles and put the pieces together. Some of the challenges are red herrings, not used in the final puzzle. Students divide and conquer, working together to identify each person’s skills and the challenge best suited to them.
 
Kiersten once again takes the stage and reads another snippet of her book, describing Victor’s lab in all of its gory detail. Ethics challenge – should students turn Victor in now that they’ve seen the lab, or should they burn it down and hide the evidence? It’s fascinating to watch the evolution of the students as they continue to debate whether or not they should protect Victor from authorities or turn him in. What does being a loyal friend mean?
 
Our next expert takes the stage, and students learn about the science of circuit building and how the body itself is a circuit. Students are now challenged to engineer a circuit of their own. They are given a pack of paper body parts and other supplies, and must create a circuit for their creature that, when hooked up to hand-cranked generators, cause their Creature's eyes to light up. This is definitely a challenge for students in that they try and try again, learning to problem solve through their failures and partial successes. Some succeed in bringing their creature to life, many do not, but the excitement and curiosity is alive. But then, students are given another ethics challenge. Should they be bringing a body to life?

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Up to this point, students have engaged in a variety of math, science, art, engineering, literature, and technology activities, as well as different ethical challenges. Ethics help students identify and make progress toward exploring and understanding moral conflicts and ways to successfully navigate life. An important area of science and medicine, of extreme importance in today’s society, is mental health. A significant theme in both Frankenstein and The Dark Descent of Elizabeth Frankenstein is the mental health of the main characters and how it impacts their daily lives. A mental health counselor talks to the students, and asks them about the title of Kiersten White’s book. Why was it called The Dark Descent of Elizabeth Frankenstein? How dark was Elizabeth’s descent in attempting to save Victor? How dark was their descent, as they played the role of Elizabeth throughout the day? Leading to their final ethics challenge – what do they do with Victor’s notebook?
 
The discussions are intense, the money and morality tokens collected throughout the day based on their successful or not so successful attempts in the challenges are tallied, and it’s time for the final reckoning. Did students earn enough to win lunch?? A morality chip is chosen from the bowl and it’s time to learn what the Elizabeths, overall, decided…
 
During lunch, students have the opportunity to have their books signed by Kiersten and to explore different exhibits set up around the room relating to the different STEAM challenges. The day ends with an author talk and a Q&A session. As the students return to their buses, I overhear talk about wanting to reread the book and find new questions to ask and puzzles to solve. A group of students talks about wanting to become doctors, challenged by another group who wanted to work in a laboratory. No one was complaining about spending the day reading, writing, and doing math and science activities. They wanted to know when the next event was.

The Aftermath

​Teachers are provided with additional activities and lessons aligned to the book, including writing prompts, debrief sessions, and research projects, and are encouraged to continue the literature exploration.
 
STEM Read is obviously an elaborate, large scale event that exemplifies ways literature can be used to spark STEAM activities. But this is just one example. Each of these challenges can take place over the course of a literature study unit, or in conjunction with multiple teachers and classes. Smaller activities based on a poem or short story can also be done. The idea is to make STEAM learning authentic and reading an essential component of authentic success.
 
If you’re interested in learning more about STEM Read, please visit www.stemread.com. The website is full of free resources on a variety of books, as well as blog posts, videos from authors and experts, and links to a podcast. 

Check out the details of the 2019 Summit on Teaching YA Literature
​(click image below)

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Register Here

Until Next Time.

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    Dr. Steve Bickmore
    ​Creator and Curator

    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.
    Dr. Gretchen Rumohr
    Co-Curator
    Gretchen Rumohr is a professor of English and writing program administrator at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

    Bickmore's
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    Meet
    Evangile Dufitumukiza!
    Evangile is a native of Kigali, Rwanda. He is a college student that Steve meet while working in Rwanda as a missionary. In fact, Evangile was one of the first people who translated his English into Kinyarwanda. 

    Steve recruited him to help promote Dr. Bickmore's YA Wednesday on Facebook, Twitter, and other social media while Steve is doing his mission work. 

    He helps Dr. Bickmore promote his academic books and sometimes send out emails in his behalf. 

    You will notice that while he speaks fluent English, it often does look like an "American" version of English. That is because it isn't. His English is heavily influence by British English and different versions of Eastern and Central African English that is prominent in his home country of Rwanda.

    Welcome Evangile into the YA Wednesday community as he learns about Young Adult Literature and all of the wild slang of American English vs the slang and language of the English he has mastered in his beautiful country of Rwanda.  

    While in Rwanda, Steve has learned that it is a poor English speaker who can only master one dialect and/or set of idioms in this complicated language.

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