Intersections of Indigeneity and Rurality in 2024 Whippoorwill Award Books
By Erika L. Bass & Michael J. Young
Erika L. Bass is an Assistant Professor of English Education at the University of Northern Iowa. Her research focuses on writing instruction, rural education, and teacher preparation; often those areas converge. She is currently engaging in research related to critical placed writing with rural students, conducting rural-focused book studies with secondary English teachers in her state, and participating in a writing feedback partnership to help preservice teachers engage in providing writing feedback to high school students. She is also a member of the Whippoorwill Award Committee for rural Young Adult novels and serves as the academic advisor for the English Teaching program at UNI. |
Michael Young is an assistant professor of elementary literacy education at Illinois State University. He is a former elementary teacher, middle school instructional coach, and K-12 curriculum leader. Michael’s research examines pursuits of equity and justice in literacy teaching and learning by considering intersections of reading and writing development, critical literacy, education policy, identity, and antiracist pedagogies in schools and communities. |
Intersections of Indigeneity and Rurality in 2024 Whippoorwill Award Books
As noted in Chea Parton’s YA Wednesday post in November, the structure of the award has shifted to include This shift included: (a) the selection of a long list; (b) the selection of a narrow list of honor books; and (c) the selection of one winner as the recipient of the Whippoorwill Book Award. In this blog post, we would like to highlight the intersections of indigeneity and rurality in this year’s honor-winning and long-listed books.
I feel like you need to understand this. Our stories from around here come out like the way we keep our work shed: you go in there, see what you have lying around, some of it being old as hell, some of it being stuff you might even have had the money to buy yourself. You move something, you find something else. You brush it off a little, then you use it or set it back down. But you need it all to piece together how things come to be the way they are now, how you come to be who you are. (p. 16). |