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Dr. Bickmore's YA Wednesday's 
Monday Motivators

This blog page hosts posts some Mondays. The intent and purpose of a Monday Motivator is to provide teachers or readers with an idea they can share or an activity they can conduct right away.

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Infographics and Young Adult Nonfiction Texts by Jason D. DeHart, Wilkes Central High School

4/24/2023

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Today’s Monday Motivator post was written by Jason D. DeHart. Jason taught middle grades English for eight years, worked at the university level from 2015 to 2022, and is currently a high school English teacher. He is a passionate advocate for including a wide range of representations in classroom libraries, including authors and characters, but also including types of texts. In this post, DeHart looks at the possibilities for linking short visual research assignments to nonfiction young adult texts, as well as specific topics within some fiction texts for extension.

When it comes to navigating the standards and curriculum for English/Language Arts, some topics sing loudly to me as a teacher, while others murmur with obligation. It is sometimes only with trial, error, and reaching out to colleagues that I manage to find a way to enliven some curricular expectations. Research has long been one of those topics that I have had a back-and-forth dynamic of love and lethargy for when it comes to applying concepts in my classroom.

My journey as a doctoral student and professor has helped me unpack and re-envision some of this informational text, and today’s Monday Motivator features a fairly quick and visual approach to working with nonfiction texts – with links to some fiction texts, as well. This is also a “rubber meets the road” strategy I have recently tried out with high school students.

Identifying Engaging Topics
Some topics are juicier than others. They connect to human interests and are still thrumming with relevance for today. Once upon my time, my middle school students were required to write about food additives for one of their summative assessments. The choice of this topic failed to deliver on the kind of robust energy that other topics, including freedom, equity, and human rights, could have invited. While students could practice with their informational skills, there seemed to be little about this topic that was tailored for them.

Engagement and buy-in are not only possible in the topic selection phase, but in the product phase of a research process, as well. By crafting infographics, I have found that students can use digital processes, hand-drawn artwork, and written information as a linked network of expressions and representations for their products.

What is more, students can include factual information, like statistics, than can provide connections between information literacy and mathematics. Additional content area connections are made possible with particular text choices, and students may find more comfort or engagement with topics that travel across content, as well as a range of methods of composing. Using infographics can help students explore technological and artistic possibilities, and can encourage students to see research as more than writing essays.

My process of using infographics with high school students began with a unit that centered on Elie Wiesel’s Night. As a means of making the exploration of the time period more meaningful, students created one-page print or digital infographics that featured quotes, facts, and images.

An infographic approach can follow these steps:


Mentor Texts
When creating a product or text, I always recommend using modeling and mentor texts. In this case, the majority of my students have never heard of infographics. Some of my favorite examples include information presented for students about engaging with school (available at Piktochart) and infographics related to time periods as examples for presenting information on the Holocaust (available at Brittanica). Mentor texts allow me to show, rather describe, the kind of product that students can make – saving loads of time in detailed explanations.

Work with Locating Sources
From the mentor texts, I then work with students to develop information from resources that have reliable information. Sometimes I will work with students by sharing a few examples, which can be expanded; at other times, I begin with an inquiry process and invite students to find sources, and then revisit criteria for what counts as reliability, including examining the site hosts and content beyond surface-level design.

Design Choices

Once students have gathered information, we discuss how to present the information and co-construct a rubric, including a category for multimodal information. I encourage students to use multiple means for conveying information, including images and words, as well as graphs, charts, and statistics. The goal is to create a product that can be universally appreciated and understood by a wide range of readers.

Additional Texts
For nonfiction young adult texts, I also recommend either the adult or young adult editions of Hidden Figures by Margot Lee Shetterly, Just Mercy by Bryan Stevenson, and An Indigenous Peoples’ History of the United States by Roxanne Dunbar-Ortiz. These books are available in either edition and can be used to stimulate conversation and interest around contemporary topics of justice, empathy, and equality/equity.

I also recommend the anthology,
Nevertheless, We Persisted: 48 Voices of Defiance, Strength, and Courage. This book features nonfiction accounts, written with a narrative sensibility, that explore intersections of identity and experience, including sexuality, activism, diverse abilities, and more. Students can launch from these books into further explorations of critical topics, gathering information to present in an accessible way for their peers.

What is more, students can engage in research related to topics that can be found in fiction texts. For example, students might examine topics like space colonization and agriculture from texts like
The Last Cuentista by Donna Barba Higuera, government systems and dictatorships from texts like Before We Were Free by Julia Alvarez, and even topics like video game development and use from books like Ready Player One by Ernest Cline.


Additional Resources
  • Educational Infographic Templates: https://www.adobe.com/express/discover/templates/infographic/educational 
  • Free Infographic Maker from Canva: https://www.canva.com/create/infographics/
  • Dunlap, J. C., & Lowenthal, P. R. (2016). Getting graphic about infographics: design lessons learned from popular infographics. Journal of Visual Literacy, 35(1), 42-59.
  • Smiciklas, M. (2012). The power of infographics: Using pictures to communicate and connect with your audiences. Que Publishing.
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The Loophole by Naz Katub

4/17/2023

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The first video is Naz Katub introducing his book, The Loophole. 
This next video is a lesson idea to use with students.
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Worlds Created - The Historical Novel Project by Elisha Boggs

4/10/2023

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I sat in a yellow chair in an old trailer with green carpet. It had a distinctly musty smell and the narrow walls trapped the heat. My world was whirling. My parents were in the middle of an ugly divorce and my hair did not cooperate with the flair the 80s asked of all girls. I wanted to be anywhere but there. 

We were reading Johnny Tremain. He was just a few years older than I was and his life was way worse than mine. Set in pre-revolutionary Boston, the main character, Johnny, was apprenticed to a silversmith by his mother right before she died. It was his only chance to avoid the life of a beggar. But he was prideful and didn’t get along with the other apprentices, so they played a brutal trick on him. When he asked for a mold, they gave him a cracked one hoping to mess up his perfect work. But instead, there was a gruesome accident. The mold broke and molten silver destroyed Johnny’s hand and his hope of ever being a silversmith, much less anything else as he was now crippled and homeless. 

He finally found a job working for the Lorne Family who ran a local printing company. As he delivered newspapers, he met members of the Whig party and began to join them for their meetings at the print shop. Eventually, Johnny’s work involved running errands and spying for the Whigs at the cusp of the Revolutionary War. Johnny even threw tea into the harbor as a member of the Boston Tea Party. He realized there was a world bigger than himself as he grew into a young man fighting for freedom.

I was taken in by Esther Forbes’ characters and her retelling of the Revolutionary War through the life of a person a little bit like me – even his long hair didn’t seem to cooperate. When we were reading Johnny Tremain, I wasn’t in a stuffy trailer, I was in Boston. I could join that cause. I could stand up and fight for something I believed in. I was strong. Forbes created a world just for me and I stepped right in. 

There is something magical about the historical novel genre. Historical novels pull together historical events and storytelling. The author combines these elements to bring the reader into a deeper understanding of the events and cultural issues surrounding those events. Woven together with the aesthetics of storytelling, readers are able to experience a world that allows them to become thoughtful responders in their own lives. 

Historical novels give us as teachers a golden opportunity to bring students into new worlds while they work to make sense of their own. They have the chance to participate in something bigger than themselves. There are myriad young adult historical novels that can serve as the anchor text for this narrative writing project. As students begin to engage in dialogue with the text and with each other, they begin to write their own narrative. 

Historical Novel Project: 
Pre-reading activity: I select short passages from the beginning of the text and then further along. We engage in brief discussion and informal writing about this cluster of questions:
  • How does this text create a world? 
  • What does good and evil mean inside this world? 
  • What elements of the text do I notice as distinct features of the way this world is being created? 

Reading activity:
As they become interested in these questions, we start reading the novel and write alongside our reading. It creates a cross pollination of idea generation, comparison and inspiration. Throughout the novel, students begin to explore news articles and websites related to the event. Students can journal or keep notes on specific quotes, issues, or questions they have as they conduct research. This scaffolding leads to their own research of an historical or current event that they are interested in exploring. As we read, they read, as we write, they write. 

The historical novel writing project reaches deeply into narrative writing standards, offering writers support in their invention of narratives. A variety of standards offer guidance to fine tune rubrics. You will be surprised to find how much writing your students will do. I often have to remind my students that we are writing short narratives.

Writing Project: Write a three to five page narrative to develop experiences or events that revolve around an historical or current event. Set up the story to bring the reader into the world you have created. Study an event or an issue from history or that is currently happening in our world today. Find at least two resources that tell the story. 
  1. Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events surrounding the historical or current event.
  2. Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters. Here I will often give specific directives: Use at least two dialogue sequences.
  3. Use a variety of techniques to sequence events so that they build on one another to create a coherent whole. 
  4. Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters. 
  5. Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative.
The examples below are from my ninth grade English class during the 2020 pandemic. Offer extra credit for illustrations. Students' drawings bring their characters to life!

Student Excerpt #1 (Event: Toilet paper shortage during the pandemic))
Have you ever needed daily household items at a particular time? Well, in the case of Doctor Romilda Harolds, a veterinarian and zoologist, she needed multiple items none of which she had. It all began on a frozen, snowbound day in a complex of neatly arranged identical houses that looked entirely, completely positively, unnoticeably normal. Except there was one house that was most certainly not. Placed in the heart of the complex was one of the most grotesque houses that ever existed. The home was in baffling ruins, the bricks for the front porch were cracked and chipped, the deep blue paint for the front door was peeling, vines and moss were creeping along the porch, and potted plants covered in frost littered the ground. What the small house contained inside though was beyond anything imaginable…

Student Excerpt #2 (Event: An NBA player’s world during the pandemic)
I woke up on March 13, 2020 after a game against the Golden State Warriors. I checked my phone as I do every morning. I had an abundance of notifications from friends, family, and social media. It says that the NBA has postponed its season until further notice. My team, the Los Angeles Lakers, have been on a roll, winning 14 out of our last 15 games up to this point, with a record of 57-5. Getting out of rhythm was a scary thought. 

I knew it was necessary because of the virus. It was spreading fast. I quickly called my agent to see if the news was true. He answered within five seconds. We started talking. 

Fast forward a week: I've been doing my best to workout everyday and stay on my diet. Not seeing my teammates and not playing organized basketball games has been one of the hardest things I’ve ever had to do. My schedule is basically the same everyday, I wake up, take a shower, get ready, go workout, eat some breakfast, work on basketball, and relax the rest of the day.

After two months of the same thing, I finally got a message from an NBA executive. He stated that the NBA would be restarting in an isolated location called The Bubble. This place was located in Orlando Florida. The Bubble would start in three weeks and once we got there, we would have a 14 day quarantine period. This means I have three weeks to get into the best shape of my life. I called my trainer to let him know what I was looking to do. We made workouts and a schedule for the next three weeks. …

Student Excerpt #3 (Event: The August 2020 explosion in Beirut, Lebanon)
It was much too hot to be Spring, Camille had decided on a Wednesday afternoon. Ridiculously, stupidly hot, and despite her warnings that she would surely die if she stepped even a foot outside, Camille was--unfairly, as she would later say--put to work. It was routine. Every year her parents suddenly became interested in charity, though not interested enough to do work themselves, Camille would adamantly claim, and she was dragged across town to wherever she was needed, complaining about the glorified furnace that she lived in all the while. 

She stepped into the passenger's seat of her car with much dread, her mother taking her place at the steering wheel. It wasn’t fair, Camille thought. Truthfully, there wasn’t much point in doing things for people who wouldn’t--and couldn’t--repay her. It was completely and utterly pointless, but Camille said nothing, for any word she spoke would be deemed selfish. But it was clear to her that she wasn’t the selfish one, everyone else simply lacked the self awareness to see it that way…

If you are looking for a place to start, check out Ruta Sepetys and Stacey Lee’s historical novels. They are great anchor texts or supplemental texts for this project. This project is also a great way to work through classic texts.

In the book Between Shades of Gray by Ruta Sepetys gives a very compelling account of the Soviet invasion of the country of Lithuania in 1941. She takes readers with 15 year old Lina, her mother and her brother to a Siberian labor camp where they are shown no mercy and must fight for their lives while people die all around them in brutal conditions.  

I Must Betray You by Ruta Sepetys: Seventeen-year-old Cristian Florescu lives under the tyrannical dictatorship of Nicolae Causescu in Romania. It is 1989 and communist bloc country regimes fall all around while Romania remains bound. Cristian finds himself blackmailed by the secret police to become an informer.

The Downstairs Girl by Stacey Lee: Jo Kuan, a Chinese girl living in late 19th century Atlanta, Georgia, Jo Kuan was born in America, but she can’t become a citizen or even rent a decent apartment. Set in the post reconstruction south, she lives in a former abolitionist's hidden tunnels, secreted away underneath a newspaper office. 

The Great Gatsby by F. Scott Fitzgerald: Nick Carroway, a middle class member of society, finds himself in the middle of the frenzy of the roaring twenties. Set in New York, this novel exposes the social, cultural, and political tensions of the 1920s. 



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    Curators

    Melanie Hundley
    ​Melanie is a voracious reader and loves working with students, teachers, and authors.  As a former middle and high school teacher, she knows the value of getting good young adult books in kids' hands. She teaches young adult literature and writing methods classes.  She hopes that the Monday Motivator page will introduce teachers to great books and to possible ways to use those books in classrooms.
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    Emily Pendergrass
    Emily loves reading, students, and teachers! And her favorite thing is connecting texts with students and teachers. She hopes that this Monday Motivation page is helpful to teachers interested in building lifelong readers and writers! 
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    Jason DeHart
    In all of his work, Jason hopes to point teachers to quality resources and books that they can use. He strives to empower others and not make his work only about him or his interests. He is a also an advocate of using comics/graphic novels and media in classrooms, as well as curating a wide range of authors.
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