| Dr. Audra Slocum is an Associate Professor of Secondary English Education and the Director of Teacher Education at Oakland University in Rochester, Michigan. Prior to joining OU, she was an associate professor at West Virginia University and co-director of the National Writing Project at WVU for 10 years. She has presented at NCTE, AERA, and WVCTE and published in English Education, Journal of Language, Identity, and Education, and English Teaching: Practice and Critique. Her scholarship primarily focuses on how teenagers from linguistically marginalized communities navigate oppressive norms in secondary English classrooms. As a teacher educator, she prepares secondary English students to be actively anti-oppressive as they employ core teaching practices. |
Everything Sad Is Untrue (a true story) by Daniel Nayeri
| Nayeri is deeply versed in Iranian poets, myths and history, and he relates himself to Scheherazade as the storyteller in One Thousand and One Nights. Like Scheherazade, he uses storytelling as a lifeline—an act of survival. His narrative moves fluidly between myth, history, memory, and immediate experience, mimicking the way the mind wanders. This nonlinear, fourth-wall-breaking style may disorient some readers, but for me—especially in the audiobook, wonderfully narrated by the author—it brought the story vividly to life. His authentic narration delighted me as he jumped from one fragmented memory to another. Central to the memoir is love: the unconditional love of his Babagi (paternal grandfather), his father’s complicated love, and most importantly, his mother’s unwavering devotion. |
| Despite these heavy themes—refugee trauma, domestic abuse, alienation—Nayeri’s voice is full of wonder, vulnerability, and humor. His poetic language is breathtaking. He has poignant phrases laid out like pomegranate seeds, each one asking for you to pause in shared wonder. In addition, he’s also laugh-out-loud funny, often sharing cringeworthy, self-deprecating stories that feel painfully real. One of the most evocative parts of the memoir is the role of food and feeling of connectedness to Iranian culture. Nayeri’s memories are steeped in taste and family—his mom’s cooking, his grandmother’s dishes, his favorite Iranian candies (some reminiscent of Mounds bars). I found myself looking up recipes for the foods he described, eager to experience them myself. Everything Sad Is Untrue is a rich, layered memoir that invites readers into a boy’s fragmented but deeply felt world—one shaped by exile, resilience, and the stories that help us survive. |
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