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Why John Green’s Nonfiction Matters in the YA Classroom

3/20/2026

 

Meet Our Contributor:

Stephanie Branson is a fierce advocate for young adult literature and authentic writing pedagogy, with a focus on fostering student engagement through diverse text selections. She has been a literacy leader as a high school English teacher, district-level learning facilitator, and curriculum writer in one of Texas’s largest public school districts for the past 13 years. Stephanie earned her undergraduate degree from Louisiana State University in the Geaux Teach English cohort and her graduate degree from the University of North Texas in Literacy Curriculum and Instruction. She has presented at both the National Council for Teachers of English and the Texas Council of Teachers of English Language Arts. She can be reached at [email protected]. Please connect! 
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Why John Green’s Nonfiction Matters in the YA Classroom By Stephanie Branson 

Sometimes a text just hits you. With its richness. With its literary merit. With its instructional possibility. This experience occurred twice for me with two of John Green’s most recent nonfiction works: The Anthropocene Reviewed and Everything is Tuberculosis. These two texts were catalysts in changing my writing pedagogy and instruction with upper-level high school students in the English classroom. They opened reading and writing doors that were previously welded shut for my reluctant readers and writers. The inclusion of these two nonfiction novels not only engaged my student readers in new ways, but opened up doors to authentic writing instruction that seamlessly blended genres in ways that are seen in “real” world writing scenarios.  These two novels did not just engage students, they reframed what “counted” as deep literacy work within the walls of my classroom. 
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The Anthropocene Reviewed: Essays on a Human Centered Planet  is a rich collection of nonfiction essays born out of a road trip that John and Hank Green took for his Turtles All the Way Down book tour. The brothers would look up reviews of places they passed as they drove and challenged each other to find the most ridiculous review. Through this, the idea for this essay collection materialized. John Green curated this collection of essays to rate everyday ideas and objects on a five-star scale in his life. These essays explore what it means to live in the Anthropocene, our current geologic age defined by a dramatic transformation of earth through technology and human advancement. This essay collection seamlessly blends and bends genres; effortlessly weaving personal narrative, memoir, research, philosophy, humor, argument, and cultural commentary. Green writes through these genres to explore how humans live through and make meaning of a sometimes painful world. 
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Although The Anthropocene Reviewed is not specially written for the YA audience, this novel is rich in study. It can transform how students read nonfiction texts and works beautifully as a mentor for their own writing and exploration. Taking inspiration from Rebekah O’Dell and Allsion Marchetti’s work surrounding mentor texts, we analyze these essays for voice, tone, author’s style, and specific author’s craft moves. After closely analyzing the diction and syntax as well as zooming out on a few of the essays’ structural components, we begin to draft our own reviews of something banal from our Anthropocene and take that writing throughout the entire writing process. Using this essay collection is a fantastic springboard for student writing that is not just writing work, but also deep thinking work within the classroom. 
Additionally, Everything is Tuberculosis: The History and Persistence of Our Deadliest Infection is Green’s newest member of his nonfiction lineup. This book was published under Hank and John Green’s Crash Course Books in conjunction with Penguin Young Readers which aims to produce educational, nonfiction content to students and lifelong learners alike. This text follows the journey of Henry, a young TB patient in Sierra Leone, Africa. Like his prior work,this text doesn’t fit squarely into one singular writing genre. This book blends Green’s personal experiences with Henry, research and historical data surrounding the disease, and challenges human choices that will contain future implications for the disease for generations to come. What I truly admire about this text is John Green’s ability to write something so emotionally raw and human. It is not just about a disease. It reaches into the depths of what we consider it means to be human and forces all readers to question the current choices we are making as a society. It builds upon written literacy, social literacy, and scientific literacy all at once. The humanness of this text allows readers to sit in uncomfortability and grapple with complexity and topics that could be tough, in a very accessible way. 
Like the writing work I do with The Anthropocene Reviewed, this text works so nicely with the Mentor Text Framework by Marchetti and O’Dell. The foundation of writing is “Everything is _______.” Students can pick and explore topics in a very human way, blending their own narratives, research, social and scientific ideas, and future implications as they study and write alongside this text. Through this real-world writing, students’ literacy is honored and allows them to deeply think about ideas that truly matter. They are no longer reading and writing about trivial topics, but topics that hold significance and implications for their futures. 
These nonfiction texts do not just provide richness in literature study; they assume adolescents and teen readers can handle real-world complexity. A broad YA literacy foundation within the classroom should include contemporary nonfiction texts. Nonfiction lowers the barrier to entry and can re-engage reluctant readers and writers. Sometimes the most powerful YA texts are not only written for adolescents and young adults—but become transformative when these young people are trusted with them.

Studying Phillis Wheatley Peters: Ideas and Books for the Secondary Classroom

3/18/2026

 

Meet Our Contributor

​Margaret A. Robbins has a PhD in Language and Literacy Education from The University of Georgia. She is a Teacher-Scholar at The Mount Vernon School in Atlanta, Georgia. She has peer-reviewed journal articles published in The ALAN Review, SIGNAL Journal, Gifted Child Today, Social Studies Research and Practice, and The Qualitative Report. She recently co-edited a special issue of English Journal. Her research interests include comics, Young Adult literature, fandom, critical pedagogy, and writing instruction. 
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Studying Phillis Wheatley Peters: Ideas and Books for the Secondary Classroom by Margaret A. Robbins PhD.

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Portrait of Phillis Wheatley, attributed by some scholars to Scipio Moorhead
In celebration of Black History Month in February and Women’s History Month in March, Phillis Wheatley Peters is a relevant figure to acknowledge. She was the first Black woman to publish in the United States, and she also gained attention in England during the late 1700s for her excellent writing. Historically, she was an important voice in writing, both as an abolitionist and as a patriot of the Revolutionary cause. I have taught Wheatley Peters’s poetry and related history articles in my G7 Humanities class, which, as many of you know, blends American History and Literature. 
This year, G7 Humanities students at my school, including my classes, studied an excerpt of the poem “To the Right and Honorable William, Earl of Dartmouth” by Wheatley Peters. The poem paired well with our study of the historical fiction novel Chains by Laurie Halse Anderson, which included an excerpt of Thomas Paine’s famous pamphlet Common Sense. Our students completed a literary analysis and persuasive writing assignment on these texts that my colleague found online at this site (pages 51-58 of the PDF). The assignment combined knowledge of these documents with an excerpt from the Declaration of Independence preamble. I was glad we were able to bring an excerpt of Wheatley Peters’s work into our class in a way that directly connected with the American Revolution history we studied. 
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Still, I know that for some teachers, using Wheatley Peters’s high-concept writing in the K-12 classroom can be daunting. Therefore, I wanted to pass along a couple of resources that I believe are helpful and want to better utilize myself. The first is a wonderful website called The Genius of Phillis Wheatley Peters: A Poet and Her Legacies, linked here. This website is a wonderful compilation of history and teaching resources for various grade levels and is the long-time project of Dr. Barbara McCaskill, Dr. Mona Narain, and Dr. Sarah Ruffing Robbins. I highly recommend checking out this website for more historical and literary information about Wheatley Peters, as well as a wealth of teaching and scholarship resources. 
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While visiting Fort Worth, Texas, and Texas Christian University during my spring break week, the first week of March, I had a wonderful opportunity to view the short version of a documentary that I believe is highly beneficial to educators at all levels. The event was on Tuesday, March 3, 2026, and the details about it are linked here. The documentary In Search of Phillis Wheatley Peters, the passion project of successful Filmmaker and Director Leslie Askew and experienced Producer Turlough White, is an outstanding overview of Wheatley Peters’s life and legacy. A longer version of the film (approximately 90 minutes) is forthcoming, and Ms. Askew and Mr. White plan to market it to K-12 teachers and academics worldwide. In the shorter version of the film, which is approximately 35 minutes long, I learned a lot about Wheatley Peters that I did not know, particularly in regards to her relationship with her husband, John Peters. 

I’ve also read and can recommend two books that The Genius of Phillis Wheatley Peters Project cites on their website on the Teaching Resources Page. One children’s/YA text that is great for classroom use is A Voice of Her Own: The Story of Phillis Wheatley Peters, Slave Poet by Kathryn Lasky, illustrated by Paul Lee. This book is more of a historical account of Wheatley Peters’s life. The second book I’ve read and can recommend is My Name is Phillis Wheatley: A Story of Slavery and Freedom by Afua Cooper, which takes a first-person narrative perspective and tells Phillis’s story. The books have different writing styles, yet both provide valuable insight into Wheatley Peters’s life, both the triumphs and the struggles. This Canva presentation gives more information about these and other books about Wheatley Peters’s life. 
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A sculpture of Phillis Wheatley Peters is part of the Boston Women’s Memorial on Commonwealth Avenue in Back Bay. PHOTO: JENNIFER MOORE/GBH NEWS
Phillis Wheatley Peters is a sometimes underappreciated yet very important figure in American History and Literature. Her story is truly an inspiration to current writers. The documentary by Askew and White truly shows Wheatley Peters’s dedication to her art amid difficult circumstances, and the The Genius of Phillis Wheatley Peters website provides additional sources that will assist instructors in teaching Wheatley Peters’s writing, along with tangential texts, more effectively. Whether or not they wish to be writers, I believe students will appreciate Wheatley Peters’s dedication to her craft and the power she realized that her pen held.   

Turning the Page Against Patriarchy: Young Adult Literature as a Catalyst for Female Agency

3/11/2026

 
I love highlighting the work of students. A few months ago Bryan Ripley Crandall send me an email to brag a bit about the work of his students on their final projects. As teacher educators we have been on both sides of looking at student projects. Some time their work is so good we want to shout from the roof tops about their accomplishments. Other times we look at projects and ask ourselves: What was I thinking with that assignment? What was I expecting my students would produce? Frankly, we often need better ideas and often those better ideas come from the work our students produce. From time to time our students creatively interpret the assignments ( both good ones and boring ones.) we give them and we she the world with new eyes, new possibilities.

In this case, Bryan sent me a sample of a student's final project. I was thoughly engaged with what Kathleen Morris turned into to Bryan.  I quickly decided it was something I want to share with others through the blog. Katheem agreed to let us post her final project (see the product at the bottom of the post) and write a explanation of how she went about producing  her project.

Meet our Contributor

Kathleen Morris studies Communication and Digital Journalism at Fairfield University. She serves as the Editor-in-Chief of The Fairfield Mirror, a role that allows her to hone her skills as a multimedia journalist and highlight the untold stories of her community. Beyond the newsroom, she is an In-Arena Host for NCAA Division I men’s and women’s basketball games, where she has the privilege of engaging crowds through live announcements and interactive segments. A native New Englander, Kathleen spends her summers behind the counter of a centuries-old country store, an experience that further fuels her passion for the local narratives that connect us all. https://www.kathleenrosemorris.com/ 
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Turning the Page Against Patriarchy: Young Adult Literature as a Catalyst for Female Agency by Kathleen Morris

As a child, I was gifted a journal. Its cover was a glossy pink, adorned with a sequined purple “K” and fastened together with a tiny locking mechanism. It lived in my bedside table, finding a home alongside an eclectic array of trinkets and a stack of dog-eared novels. 
When I received it, Jeff Kinney’s Diary of a Wimpy Kid series was fully integrated into the rotation of novels I curled up with each night. I’d clip on my extendable reading light and pore over the pages, captivated by Greg’s youthful narration and fascinated by the idea of documenting daily life through the written word.
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I began to incorporate journaling into my nightly routine. With each scribbled story, I captured my elementary school antics and began to develop my own voice as a writer. 
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This past summer, I moved out of my childhood home. In the process of packing, I was reintroduced to this relic of self-reflection. I began to trace patterns in each entry, noting an evolution as I began to embrace my budding femininity.

The challenges I faced differed from Greg’s and Rowley’s. I was not threatened by the infamous “cheese touch” or a rock-and-roll older brother. Instead, my musings were rooted in the rawness of girlhood. I felt the crush of adolescence, from actual crushes (High School Musical’s Troy Bolton earned several mentions) to the social stings of faltering female friendships.
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To navigate the complexity of coming-of-age, I dove deeper into the genre of YA. I met Hermione Granger, who reminded me to be steadfast in my academic pursuits and unashamed of my zest for learning. Jo March found a seat at our table – a proud voice who empowered me to be brave and bold. I was struck by the story of Malala Yousafzai, whose story of perseverance expanded my worldview and pushed me to be a fierce advocate for women’s rights. 

From Sequined Journals to Multimedia Journalism

 Today, I am a senior at Fairfield University. My fondness for glitter has yet to waver, and I still utilize writing as an outlet for self-expression and introspection. However, I have traded my journal for a laptop. My words are no longer hidden within a nightstand drawer, but published weekly in our student newspaper, The Fairfield Mirror. My passion for storytelling pushed me to embrace digital tools in my creative process, identifying the unique power of graphic design to represent the inner workings of my mind with a distinct dynamism.
 
My interactive webpage, Turning the Page Against Patriarchy: Young Adult Literature as a Catalyst for Female Agency, encapsulates this journey – reimagining a beloved childhood medium as a digital call-to-action for women of all ages. 
This project stemmed from an assignment in my Literature for Young Adults course, taught by Bryan Ripley Crandall, Ph.D. Our exploration of diverse YA texts allowed me to develop a nuanced understanding of the representation of women in this genre. I recognized the necessity of amplifying women’s voices across realms, noting how this amplification has the potential to inspire confidence within girls that will carry them through adulthood and guide them as they navigate a patriarchal society.

In the webpage’s opening letter, I share the following wish: “It is my sincere hope that this multimedia project will reawaken a spark within you – a spark that will remind you to be fearlessly feminine and unabashedly yourself.”
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As you explore my project, I encourage you to reconnect with what lit a fire in the soul of your younger self and consider how your personal passions could be translated into this format. To help rekindle that creative spirit and unlock your digital voice, I have included a few techniques below to set you in the right direction: 

Leverage Canva’s Webpage Capabilities

To build my webpage, I utilized Canva. I find the platform to be incredibly user-friendly and accessible, as it provides a seamless canvas where I can maintain my distinct visual identity without needing a background in computer programming. While you can access the design software for free, I’ve found that Canva Pro is a worthy investment for the extra creative freedom it offers. 

Commit to a Color Scheme

I selected orange as the primary color for my design, as it traditionally symbolizes optimism and aligns with my mission of lighting a fire within young women. To maintain visual cohesion, I relied on one of my favorite tools: Duotone. This feature is available to Canva Pro users and allows you to manipulate the hues of any graphic or image to create a sophisticated, monochromatic look. It was essential to ensure that every visual element fit seamlessly within my curated palette. 

Incorporate Multimedia Elements 

I added a handful of videos throughout the project – ranging from Taylor Swift’s The Man music video to Emma Watson’s powerful HeForShe campaign speech. Canva allows you to link and embed YouTube videos that can be watched directly from the page, keeping your viewer engaged without ever having to leave the site.
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Additionally, I integrated an original video I filmed on my iPhone and edited in DaVinci Resolve, featuring five testimonials from fellow students. I deeply valued their insights and felt it was essential to add their voices to the project, turning a digital space into a communal dialogue. 

Look to the Experts 

If you are new to the platform, I’d highly recommend diving into tutorials on YouTube and Instagram. I recently discovered Roger Cole’s videos (@mysocialdesigner on Instagram) and find his tips to be incredibly helpful for mastering design tricks. 

The Next Chapter…

To conclude, I invite you to explore one final avenue of inspiration: the Westport Library’s Research Guide, “Zine Activism: No-Filter Feminism.” This resource provides vital historical context on the Riot Grrrl movement of the 1990s – a pivotal era that empowered young women to bypass gatekeepers and reclaim their narratives through independent cultural production.

Turning the Page Against Patriarchy: Young Adult Literature as a Catalyst for Female Agency serves as a modern equivalent to these underground publications. It is a vessel for female fierceness and a living invitation for women of all ages to pick up their own pens, turn the page on the patriarchy and author a future defined by their own agency
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Graphic Novels–The Hidden Treasures of Teaching:Humanity, Worldview, Understanding, and Connection inEugene Yelchin’s I Wish I Didn’t Have to Tell You

3/4/2026

 

Meet the Contributor: Susan James

Dr. Susan Densmore-James is a professor of literacy at the University of West Florida (UWF) and the Founder and Director of the Emerald Coast National Writing Project at UWF.  Before her professorship, she was a reading specialist for secondary students, where she was “gifted” the name of “The Book Dealer”.  She now teaches pre-service teachers at UWF and works with middle and Young Adult (YA) authors. Her true joy is in connecting young readers with life-changing books.
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Graphic Novels–The Hidden Treasures of Teaching:Humanity, Worldview, Understanding, and Connection inEugene Yelchin’s I Wish I Didn’t Have to Tell You by Susan James -- The Book Dealer

The Admission

It has taken me an entire career to give graphic novels their due. I deeply apologize for not doing so sooner, as quite honestly, these gems are among the most powerful of all teaching tools and represent one of the biggest omissions from my curriculum during my first 15 years of teaching. I have since made up for this in spades. 
My first experience with a graphic novel was in my master’s program in 2005 when I was assigned to read Maus (1992) by Art Spiegelman. I distinctly remember my annoyance at completing the required assignment, struggling to juggle both the text and the artwork. I was an English minor, but goodness sakes–not a comic book lover.  I completed the assignment and moved on without much thought, even though I am an avid reader of historical works and firmly believe in stories providing us a moral compass for how we live our lives. I feel ashamed by this reaction to Spiegelman’s groundbreaking work of art (which I have read over and over again since) and continue to share the error of my ways in order to help educators and parents avoid making my same mistakes.
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The Epiphany

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The gravity of my mistake hit in 2009 when I began teaching struggling high school readers. These readers had lost all confidence in themselves, and I spent a great deal of time planning how to teach them to be active readers. I had to discover ways to explicitly teach metacognitive skills in reading and had a particularly difficult time teaching inferencing, a skill that many of my students were far from mastering. I can recall my desperation when I used picture books like Tight Times by Hazen (1983) to prompt juniors and seniors to consider the illustrations without reading the text. My instruction was scaffolding on steroids.  First, I encouraged the teens to deeply examine facial expressions, body language, and minute details to consider what was not explicitly stated in the text. As a community, we discussed their predictions based on only images and drew conclusions. The illustrations supported students in making these connections more concrete.

 I then had the biggest epiphany of all:  these students lacked background knowledge. Tough Times is a book based on a family struggling due to a nation’s economic downturn, which many had not discussed or read about before.  Most had spent years dodging reading due to their lack of success with it. I knew I needed to give them a sense of success, and I also knew that as they were exposed to a wider array of topics, their interest in new content would be piqued.  This is when I was reminded of graphic novels and started to see their power for students.
 As we slowly made progress, I knew the next challenge would be how to move from actual illustrations to just words.  Again, I had to explicitly teach how words, just like the illustrations we discussed at length, can imply information not explicitly stated in text. 

Graphic novels offered my secondary students a powerful tool: first, and probably most importantly, these books gave my reluctant readers the opportunity to feel successful (many for the first time ever).  They were more willing to determine the meaning of words, as they learned vocabulary in authentic contexts (actually reading).  Watching them engage in discussion provided evidence of higher-order thinking through deep analysis.  Honestly, this approach was the wind beneath their wings. Suddenly, students were wanting to learn more about economics throughout the nation's history, and they were eager to utilize their new skills with other books on various interesting topics.
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Luckily, graphic novels have rightfully been given a prominent place in literacy instruction (and not just in my classroom).  Truly, they are a teaching tool treasure that so many teachers have been given. These nuggets of wisdom were the magic in my classroom that inspired my students to see reading as a communal activity that allowed for meaningful conversations.  These books changed everything for my students.

The Power of Using Graphic Novels with Pre-Service Teachers

This experience with young adults was the driving force behind furthering my education as a researcher and professor of literacy in a School of Education. As many of our readers know, many teacher education programs are waning at universities across the nation.  Just over the past few years, what used to be a robust cadre of students in our School of Education programs has become what feels like a crime scene of dwindling enrollment.  Whereas once I taught a full section of English Education students, now I am combining social studies education with my English pre-service teachers into one very small class.

 It has been a unique experience, and my first thought was how I would entice two groups of students to read and discuss books that would be beneficial to students in today’s world and assist them in providing instruction that centers around literacy and their specific disciplines. 

The first day, I had students sit in their respective groups, gave them chart paper, and had them define their two disciplines. Once finished, I had them tape their definitions to the front of the room.  We then methodically circled all the words the two disciplines had in common.  The result?  English and social sciences connect based on four words:  Humanity, Worldview, Understanding, and Connection.  This is a insightful and powerful epihany from young pre-service teachers.
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The Experiment

I have had many conversations with my academic colleagues across Florida, and we have shared various strategies for navigating the tough terrain of engaging with books in the classroom.  As a secondary educator for seventeen years, I always was a proponent of involving parents and guardians in the education of their young people, even creating a letter I shared with each parent, inviting them into the decision process and giving students and parents choice in reading. It was always a way to build a larger community and ensure students were reading books that were right for their family.

Several of my social science students came armed with graphic novels, which I had given as an option.  All the English Education students brought in traditional narrative fiction.  The graphic novels were the hit.  

One young man brought in the book by author Eugene Yelchin. This book literally took our collective breath away.  As Troy shared several parts to the book, we learned about the story of the young Yevgeny living in Leningrad in the 1980s.  It is the only book out of the 14 books brought to class by my students that every single student bought for their personal collection. I have always used “anchor text” that every student would read to ground us in common conversations, but by allowing the students to share their choice books, I Wish I Didn’t Have to Tell You became that anchor naturally by student choice.  For this semester, I did the same.  I invited the English Education and social science students to visit a library and bring in one middle grades or YA book they wanted to read and share with the class.  We focused our Essential Questions on our core words (humanity, worldview, understanding, and connection), and that is when the magic began.  ​
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Eugene Yelchin

The Magic

Yelchin’s graphic novel tells the truth behind life as a young adult living in Leningrad in the ‘80s. This young man named Yevgeny tries to realize his dream of being an artist while having to operate in an underground art scene to safely create and share the art that he loves. His fears range from the constant surveillance of the KGB to his worry about being forced to fight in Afghanistan.  He feels the push/pull stress from his best friend who begs him to leave to safety and his mother and grandmother who have accepted their fate as Russians.  

During this time, he falls in love with an American activist named Libby, and their relationship is at first awkward (like all young love), but it blooms into a love that could possibly even mean survival for Yevgeny.  Over the course of the book, Yevgeny’s journey gives him a true, uncensored insight into the operations of his government, and as he knows he will be drafted into the war, he ends up working in Siberia in the theatre before being institutionalized.  The art and prose work to expose the bleak absurdities of life in Cold War Russia, but it’s the deeply human moments that keep the reader reading and also keeps the reader hoping.
When I asked students to reflect on why this book was “the one” (as they called it) for them this semester, the conversations continued for many class periods.  I frantically scribbled down as many of their thoughts about our experiment. Students commented on how Yelchin’s work was an “artistic masterpiece that was dark, but at the same time it was filled with the humor that the mother and grandmother brought to the story, and the love and joy of the relationship between Libby and Yevgeny.”
Troy, the young man who brought us the book, said he loved how it allows him to see that Yevgeny is no different than the students in the class.  “He has hopes and dreams and finds love.  But it also teaches us the dangers of living without freedoms.”  My students spoke about the generational divide between Yevgeny and his mother and grandmother. Two exchange students, one from Germany and one from South Korea, brought in books that were being read by youth in their countries (one being the amazing graphic memoir entitled Feeding Ghosts by Tessa Hulls), and suddenly, the magic of them “dealing books” to one another was a sight to behold.
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On the last day of class, we had Booksgiving (a lovely idea I learned from rockstar English Educator Brooke Eisenbach from Lesley University).  I collected books from my book closet from years of attending the National Council of Teachers of English (NCTE) to gift to the students.  There were tears as we said goodbye, but trust me, these students are very much still part of my life, as they constantly send me book titles to read.  

As they were making their final selections, one of the English Education students from the class read her comment from the course review survey.  She thanked the social studies student for sharing I Wish I Didn’t Have to Tell You This that I will forever remember.  “This book started it all for us.  We all found a book we loved and could discuss. Without reading the stories of others, we have a set belief about how other people are based on seeing images and viewing media that might not be true. This book was that jumping off point for us to read about histories of others around the globe. We were able to compare how another country has been governed and think about what we want for our own country. The art assisted in making these connections even more heart wrenching and impactful. Dr. James, do you realize this ties back to what we said about our disciplines on day one?  It is all about humanity, having a worldview, understanding each other, and through this understanding, connecting. It is more important than ever that we are reading these stories. Especially from cultures we do not know much about.  It is the only way we will understand and connect.”
I have never ended a fifteen-week-course feeling my work had been fully done. This semester, I felt closer to that reality. But was it really me who worked this magic?  I have to say the class was successfully led by an amazing group of pre-service teachers who realized the power of graphic novels to make their world a little bigger, to humanize cultures different from their own, to create their own, new understandings about the world, and to connect as a true community of readers. 
References
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Hazen, B. S., & Hyman, T. S. (1983). 
Tight times. New York, NY: Puffin Books.


Hills, T. (2024). Feeding ghosts: A graphic memoir. New York: Farar, Straus, Giroux. 

Spiegelman, A. (1996). The complete maus: A survivor's tale. Pantheon.

Yelchin, E. (2025). I wish I didn’t have to tell you this. Somerville, Massachusetts: Candlewick

    Dr. Steve Bickmore
    ​Creator and Curator

    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.
    Dr. Gretchen Rumohr
    Co-Curator
    Gretchen Rumohr is a professor of English and writing program administrator at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

    Bickmore's
    ​Co-Edited Books

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    Meet
    Evangile Dufitumukiza!
    Evangile is a native of Kigali, Rwanda. He is a college student that Steve meet while working in Rwanda as a missionary. In fact, Evangile was one of the first people who translated his English into Kinyarwanda. 

    Steve recruited him to help promote Dr. Bickmore's YA Wednesday on Facebook, Twitter, and other social media while Steve is doing his mission work. 

    He helps Dr. Bickmore promote his academic books and sometimes send out emails in his behalf. 

    You will notice that while he speaks fluent English, it often does look like an "American" version of English. That is because it isn't. His English is heavily influence by British English and different versions of Eastern and Central African English that is prominent in his home country of Rwanda.

    Welcome Evangile into the YA Wednesday community as he learns about Young Adult Literature and all of the wild slang of American English vs the slang and language of the English he has mastered in his beautiful country of Rwanda.  

    While in Rwanda, Steve has learned that it is a poor English speaker who can only master one dialect and/or set of idioms in this complicated language.

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