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The Wonderful World of Manga

10/25/2023

 
Our post this week is produced by Wendy R. Williams and Fio Moulton. 
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​Wendy R. Williams is an Associate Professor of English at Arizona State University, where she teaches courses on YA and children’s literature, visual storytelling, Studio Ghibli, food writing, and narrative research. She is the author of Listen to the Poet: Writing, Performance, and Community in Youth Spoken Word Poetry and is currently at work on a book for NCTE on writing instruction. 
​Fio Moulton is a junior at Arizona School for the Arts. In addition to reading manga and watching anime, he enjoys drawing, playing flute, and writing. This year, he is enrolled in AP Language and Composition and is serving as a band teaching assistant, which involves learning how to conduct the school’s Concert Band. He is looking forward to taking literature courses in college.

What is Manga?

​Manga are Japanese comics. These works are similar to graphic novels and are often printed in black and white. They are read from right to left, starting at the top right section of the page. Manga tends to be published as volumes in a series, and many serve as the source material for anime (animated TV shows and movies). Part of what makes manga so appealing is there are many different kinds to choose from. There really is something for everyone! 

Three traditional manga categories include the following:
  • Shojo: These stories are geared toward a young female audience. They usually focus on romance and friendship. Some examples are Sailor Moon, Nana, and Cardcaptor Sakura.
  • Shonen: These stories are geared toward a young male audience. They tend to include action, fighting, and friendship. One Piece, Naruto, and Dragon Ball Z are some examples.
  • Seinen: This category of manga is aimed at adult readers. These stories may contain violence, psychological elements, and more mature themes. Sample titles include Attack on Titan, Death Note, and Berserk.
 However, manga has evolved over the years, and these labels don’t necessarily reflect the current state of manga today. Often category clichés have been used to subvert audience expectations and play with the reader. For example, a series might begin in a typical shojo style and suddenly switch to a much more serious and violent one (e.g., Puella Magi Madoka Magica). Some series don’t even fit neatly into any of these categories at all.
 
We are a mom and son team who both really enjoy reading manga, but our tastes are very different. Below, we each provide our perspective on this form of visual storytelling.

Escaping into Manga: Wendy’s Perspective

​Reading manga is a wonderful break from the other reading I do for my job as an Associate Professor. These books transport me to other worlds, expose me to new perspectives, and sometimes make me laugh out loud. I am intrigued by the characters, themes, settings, and art.
 
My favorite manga series is The Way of the Househusband, which is about a former yakuza gangster who is now a stay-at-home husband. He approaches domestic activities with great zeal and intensity, whether it is preparing a meal, cleaning, or shopping for groceries. The over-the-top exaggeration of the importance of simple everyday tasks is hilarious. Another series that drew me in right away is Parasyte. In this eight-book science-fiction series, the protagonist is infected with an alien parasite, who gives him superpowers. Ultimately, he and the parasite have to work together to overcome evil forces. These books are unlike anything I have read before. The art style is beautiful, the story is packed full of action, and even the parasite becomes an endearing character as the series unfolds.
 
I have also enjoyed reading Baron: The Cat Returns, which is about a young girl who is carried off to a cat kingdom, where she is to be married to a cat prince. This book is fast-paced and full of action and humor. Not all manga is a good fit for the secondary classroom, but Baron: The Cat Returns is a book that would work. It could also be paired with the Studio Ghibli film, The Cat Returns (Morita, 2005), which follows the manga closely. 
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My History with Manga: Fio’s Perspective

I began reading manga around age eight. The art styles appealed to me due to the unique character designs and attention paid to the eyes and hair. Some of my first series were Sailor Moon, Fairytale, and My Hero Academia. I enjoyed both typical shonen and shojo works. Shonen, I could appreciate for its intense fight scenes, and shojo, for its drama and emotional impact.
 
As I got older, I noticed manga as a medium began to change as well. Stories were beginning to break the mold and challenge readers’ expectations. It didn’t matter whether a series was aimed at female or male readers, and people of all audiences enjoyed all kinds of stories. As I’ve matured, my taste in manga has as well, and I’ve expanded my library. Junji Ito, especially, has been one of my favorite authors and artists because of his detailed style and effective use of horror. He uses Lovecraftian Horror and the idea of a mysterious entity taking over the world (or a city). One of his most famous works, Uzumaki, depicts a town becoming overrun with spirals until the pattern becomes all-consuming.
 
One of my favorite series is Bungo Stray Dogs. The story features characters based on canonical authors as they commit crimes and/or solve them. Something I love about this series is its unpredictable and chaotic nature. Each character is captivating in some way, and even some of the most evil villains end up being likable. Almost no one is “good” or “bad”; rather, they sometimes end up doing “good” or “bad” things, depending on the circumstance. Some authors featured are Ryūnosuke Akutagawa, Edgar Allan Poe, and Bram Stoker. 
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Manga: A Unique Form of Visual Storytelling

Whether you are new to manga or an experienced reader of this form, we believe there is much to enjoy in the artwork and narrative features of these texts. In his book, Making Comics, Scott McCloud (2006) lists eight storytelling techniques commonly used in manga:
  1. “Iconic characters”
  2. “Genre maturity”
  3. “A strong sense of place”
  4. “A broad variety of character designs”
  5. “Frequent uses of wordless panels, combined with aspect to aspect transitions between panels”
  6. “Small real world details”
  7. “Subjective motion using streaked backgrounds”
  8. “Various emotionally expressive effects such as expressionistic backgrounds, montages, and subjective caricatures” (p. 216).
McCloud’s list helps to explain what makes this Japanese form of storytelling so unique.
Regardless of your age or interests, there is probably a manga series out there that you would enjoy reading. We hope you enjoy exploring the world of manga! 

References

​McCloud, S. (2006). Making comics: Storytelling secrets of comics, manga and graphic novels.
William Morrow.
Morita, H., dir. (2005). The cat returns. Studio Ghibli.
Until next time.
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    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.
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    Gretchen Rumohr is a professor of English and writing program administrator at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

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