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Registration is open for the virtual Summit on the Research and Teaching of Young Adult Literature!  Plan on April 21, 2023, 8:30-5:30 CST.  

Don't worry, it is easy to find.  Just go to YouTube and search for Dr. Bickmore's YA Wednesday.

Register here!

The Role of Literacy Within YA Texts by Dr. Brady L. Nash

11/9/2022

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Continuing the conversation begun by Michelle Falter a few weeks ago, we welcome  Brady L. Nash to the blog today to consider how characters' own literacies should be considered when we study YA texts.

Dr. Nash is an Assistant Professor of English Language Arts at Miami University (Ohio) and a former secondary English teacher. In his teaching and research, he focuses on the preparation of future teachers through critical approaches to ELA curriculum and instruction.
The Role of Literacy Within YA Texts by Dr. Brady L. Nash
Young adult literature is one of the few genres of literature in which the genre is explicitly defined by the age of the characters and the anticipated readers (For more, see Michelle Falter’s recent post on this website exploring the definition of YA). This genre construction creates a rhetorical situation in which adult writers compose worlds for youth with a mind to how young people - specifically - make meaning with the text and with characters. Each young adult text represents and contributes to an imagined version of how the world does or could work. 

Within the worlds, lives, and activities of characters depicted in YA, there is a wealth of literacy practices on display. Characters read novels in their English classes, blog in their freetime, write in diaries and writer’s notebooks, compose songs, lyrics, videos, watch TV, read poetry. They do all of the literate things that people in the world do. This raises the question for teachers as to how YA texts represent literacy for students, and how YA texts teach students something about the way literacy operates in the world. 

Below, I consider several texts in which the literacy practices of the characters play an important role in their lives and in the stories told within the texts. Considering the role of literacy within YA texts could be something for teachers to consider as they choose which books to recommend to students or as they help students pick books that may connect to their own literacy practices. This topic could also be one that teachers invite students to explore, analyze, or consider as part of larger class discussions, projects, or activities.
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​Gabi, a Girl in Pieces by Isabel Quintero is a novel told through the protaganist’s (Gabi) diary entries. In this sense, every word on the page functions as a showcase and extension of her literacy practices. Gabi takes creative writing courses, reads and writes poetry, mediates her life experiences through her personal writing, and dreams of attending The University of California Berkeley as an English major. Gabi also navigates her experience as a Mexican American within a culture of literature that has not traditionally celebrated writing from people who look like her and challenges related to others’ perceptions about her weight. Each of these experiences are told to us through writing (writing that exists both in the world of the novel and the world we live in). Writing is not only the medium for the novel, but also much of its content, as we consider how Gabi uses her writing both in and outside of school to make sense of herself and of the world.

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​On the Come Up
, the highly anticipated follow-up to Angie Thomas’s heralded young adult novel, The Hate U Give, follows Bri, a teenage rapper living in the aftermath of her father’s murder and her mother’s recovery from addiction. Like Starr in The Hate U Give, Bri attends an elite, predominantly white high school; after being targeted and assaulted by security guards at school, Bri writes a song about the incident that goes viral, bringing her more attention as a lyricist, rapper, and activist than she had bargained for, with students at the school, neighborhood gangs, and the media all taking notice and reacting. Although much could be said about the ins and outs of the story, the role occupied by Bri’s writing and music production highlights the powerful impact of words and art to spark action - and re-action.



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​Fangirl
by Rainbow Rowell follow’s Cath’s life as a first year student at The University of Nebraska, with a particular focus on her experiences as a writer of fan fiction stories, many of them erotic, constructed in the world of the Simon Snow book series, loosely based on Harry Potter. The plot is filled with family and social dillemas, and twists and turns related to both. Central conflicts related to Cath’s writing life include the perceived validity of fan fiction in comparison to traditional or normative writing (presuming we don’t count the likes of classic remixes such as Paradise Lost or Hamlet as fan fiction) and the social experiences of Cath as she navigates a literacy practice that, though it brings joy to millions of readers and is deeply important to her, goes largely unrecognized in her life.



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​Rani Patel in Full Effect
by Sonia Patel focuses on the life of Rani Patel, an up and coming battle rapper who faces both family and political struggles as her Moloka'i community in Hawaii battles for water rights in the face of corporate developments. Rani’s Gujrati heritage and family culture leave her feeling a bit stuck in-between worlds, not quite at home with the values and experiences of either her family or her peers. To complicate matters further, she is grappling with surfacing memories of abuse from childhood. In the swirling midst of these problems, Rani’s engagement with poetry and rap music - as a listener/reader/writer, and eventually, her own performances, serve as powerful forces for her as she deals with this array of personal and political challenges, helping her to develop a sense of self in a world that has been anything but inviting of her. 



In each of these novels, writing, reading, and varied forms of multimodal literacy play important roles in the lives of the characters and the progression of the plots. They each showcase a possibility for literate engagement outside of the narrow confines of school walls, standardized tests, or the next grade. They showcase the intimacy of literacy to our lives and just might serve as possible models of ways of being literate in the world.
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    Dr. Gretchen Rumohr
    Chief Curator
    Gretchen Rumohr is a professor of English and department chair at Aquinas College, where she teaches writing and language arts methods.   She is also a Co-Director of the UNLV Summit on the Research and Teaching of Young Adult Literature. She lives with her four girls and a five-pound Yorkshire Terrier in west Michigan.

    Dr. Steve Bickmore
    ​Creator and Curator

    Dr. Bickmore is a Professor of English Education at UNLV. He is a scholar of Young Adult Literature and past editor of The ALAN Review and a past president of ALAN. He is a available for speaking engagements at schools, conferences, book festivals, and parent organizations. More information can be found on the Contact page and the About page.

    Co-Edited Books

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    Meet
    Evangile Dufitumukiza!
    Evangile is a native of Kigali, Rwanda. He is a college student that Steve meet while working in Rwanda as a missionary. In fact, Evangile was one of the first people who translated his English into Kinyarwanda. 

    Steve recruited him to help promote Dr. Bickmore's YA Wednesday on Facebook, Twitter, and other social media while Steve is doing his mission work. 

    He helps Dr. Bickmore promote his academic books and sometimes send out emails in his behalf. 

    You will notice that while he speaks fluent English, it often does look like an "American" version of English. That is because it isn't. His English is heavily influence by British English and different versions of Eastern and Central African English that is prominent in his home country of Rwanda.

    Welcome Evangile into the YA Wednesday community as he learns about Young Adult Literature and all of the wild slang of American English vs the slang and language of the English he has mastered in his beautiful country of Rwanda.  

    While in Rwanda, Steve has learned that it is a poor English speaker who can only master one dialect and/or set of idioms in this complicated language.

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